Winchester, Painted by Wilfrid BallVarley, Telford
History
Winchester, Painted by Wilfrid Ball
Varley, Telford
Winchester (England) -- Description and travel; Winchester (England) -- History; Winchester (England) -- Pictorial works
[Illustration: HIGH STREET, WINCHESTER
The ‘Butter Cross,’ as the City Cross is invariably denominated, forms
the most characteristic feature of the delightful old-world High Street.
Close by are the ‘Piazza,’ and a charming old timber-fronted Tudor
house, now a well-known picture shop. Behind the Cross is the opening of
‘Little Minster Passage’ leading to the Cathedral.
In 1770 it was decided to remove the Butter Cross, and it was actually
sold to a purchaser for this purpose, but the inhabitants rose in
indignation, forcibly removed the scaffolding erected round it, and so
preserved it from destruction.]
CHAPTER VIII
ÆTHELWOLD, SAINT AND BISHOP
O see ye not yon narrow road
So thick beset with thorns and briars?
That is the land of righteousness,
Tho’ after it but few enquires.
THOMAS THE RHYMER.
With the death of Edwy in 959 a new chapter of interest opens, a period
of revival, of growth, of development, the golden age of Saxon
Winchester, during which the Saxon city was at its zenith of importance,
the reign of Edgar the Peaceable and Magnificent.
The monkish chroniclers have for the most part painted Edgar in glossy
colours; they sang his virtues, his magnificence, his piety, his love
for Holy Church. They spoke of him as a second Solomon, and the
comparison was in its way not inapt, for, like Solomon, he enjoyed peace
and loved display; like Solomon, he allowed his private life to drag him
to a low level; and, like Solomon, he left a son behind him, who was to
see his kingdom rent asunder and a better than he bearing sway in it.
But it is neither Edgar, who, with all his faults, ruled wisely, nor his
son, Æthelred, of Evil Counsel, who, with all his vices, did not, who
are the leading figures of interest at this juncture; neither is it the
great Dunstan, of whom we get fleeting glances, Dunstan, the great
archbishop, the master-mind of his time, in whose hands the would-be
masterful and imperious king was indeed but as clay unto the potter,
little though he realized it. It is Æthelwold the bishop, Æthelwold the
saint and revivalist, Æthelwold the builder and lover of learning, who
is the dominating figure, and it is rather by the commencement and
completion of his work than by the accessions or deaths of kings that
the limits of the period are to be assigned.
Public-domain text, read in full here on John Shaqi.
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