Winchester, Painted by Wilfrid BallVarley, Telford
History
Winchester, Painted by Wilfrid Ball
Varley, Telford
Winchester (England) -- Description and travel; Winchester (England) -- History; Winchester (England) -- Pictorial works
Foremost among cathedral traditions is the story of the building of the
roof, recorded in the same _Annales de Wintonia_ to which reference has
been several times already made, and in them alone. Walkelyn had
strained his resources to the full, and still needed timber for the
roof. He applied accordingly to the Conqueror for a grant of timber, and
received permission to take from one of his woods--Hempage Wood, near
Avington, five miles from Winchester--as much timber as he could fell
and cart away within three days. “Make hay while the king smiles,” was
the bishop’s maxim. He collected a whole army of wood-cutters, carters,
teams of horses, and in three days removed every timber tree in the
wood, leaving one oak only, the so-called Gospel Oak under which
tradition reported Augustine to have preached. Unwarranted as the
tradition appears to have been, it served to protect the tree, which
still stands, though to all appearance dead, an interesting reminder of
Walkelyn and his cathedral. When William discovered what a sweep the
bishop had made of his “most delectable wood,” he was furious, and was
only with difficulty appeased. “Certainly as I was too liberal in my
grant, so you were too exacting in the advantage you took of it,” he
said, when at length he readmitted the bishop to his presence and his
favour.
The story acquires additional interest from the subsequent history of
these huge and venerable timbers. For some 800 years they have continued
to support the mighty roof, though quite recently some of them have had
to be replaced, owing to the destructiveness of a grub--the grub of the
_Sirex gigas_--which had in places eaten them through and through. A
portion of one of these beams with a specimen of the destructive _sirex_
can be seen in the city museum, and curios made of this so-called
‘cathedral oak’--though much of it by the way is chestnut--are being
sold now for the benefit of the Cathedral Preservation Fund: thus is
exemplified Earl Godwine’s remark, “Brother brings aid to brother.”
Two other items relative to Walkelyn are of interest. Curiously
enough--and it speaks eloquently for his detachment of mind and freedom
from professional narrowness--he wanted at first to revoke Æthelwold’s
policy and put back secular canons for monks. The monks were aghast,
and, more important still, Lanfranc was hostile, and accordingly after a
struggle the bishop gave way and abandoned the project. The other item
is the connection between Walkelyn and the great Fair of St. Giles, to
which reference has been already made. Walkelyn persuaded William’s son,
William Rufus, to grant him the right to a three days’
Fair, on the hill eastward of the city, and to apply the tolls so
obtained to the erection of the Cathedral. To the development and
further history of the Fair we shall return in a later chapter.
Public-domain text, read in full here on John Shaqi.
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