Winchester, Painted by Wilfrid BallVarley, Telford
History
Winchester, Painted by Wilfrid Ball
Varley, Telford
Winchester (England) -- Description and travel; Winchester (England) -- History; Winchester (England) -- Pictorial works
And to lovers of Winchester--and who that knows it is not of these?--it
must ever be a pleasant task to follow out in detail the themes
suggested by our mediaeval singer--to enjoy one by one those attractive
features which endear it still to us, as it did to him. To clamber up
the breezy heights which gird it round, for the sake of the ‘aier’--that
air which, as the poet Keats himself remarked, is alone worth “Sixpence
a pint”; to trace the windings of the ‘riverès renning all aboute’--both
within its confines and beyond; to linger in its streets and catch the
echoes of its wonderful past, with even more appreciation than our
fifteenth-century poet was capable of feeling. For our singer, sincerely
appreciative as he was, had one sense lacking--the sense of history. The
present only appealed to him; but to us, as we thread its
quaintly-inconvenient, narrow streets, its passages and gateways, it is
something more than merely a ‘Joly citè,’ a city of comfort and good
rule; it is a city of dreams as well, a city haunted with the sense of a
mighty past, a living testimony alike to the permanence of our national
institutions and to the dignity of the associations to which they make
appeal.
Winchester, then, is a city with an atmosphere--an atmosphere of the
reality and range of historic things, through which the gazing eye can
peer, mile after mile as it were, till it loses itself in a vaguely
distant and indistinct horizon, where the mists of myth and legend blur
the outline and mingle inextricably together fact and fancy, record and
surmise.
For in Winchester antique tradition and historic association are not a
mere adjunct or picturesque accident: they are the keynote of its very
existence. In Winchester we stand on the threshold of national history;
here we may, as it were, study history _in situ_, as perhaps we can
study it nowhere else in the land--in the soil beneath our feet, in its
stones, its institutions, its quaint survivals of early or mediaeval,
Tudor or Stuart days.
Where else but in Winchester can we meet with so many picturesque
reminders of an ancient feudal past,--reminders which have survived not
because they are merely picturesque, but simply because here they have
not outlived their usefulness or natural appropriateness? The Cathedral
bedesmen, the brethren of St. Cross, the scholars of ‘Sainte Marie
College,’ the almsmen of Beaufort’s Order of Noble Poverty, the brethren
of Christe’s Hospitall, the masters of the College, and the college
queristers also, the ecclesiastical dignitaries of the diocese with
their quaintly uncomfortable attire,--each and all of these wear their
distinctive garb as a matter of course, just as centuries ago every one
wore the garb distinctive of his rank or occupation. Anywhere else one
of these might excite remark: here they pass unnoticed. They are part of
the place, part of the spirit of the past, which, dead elsewhere, here
survives in vigour and undiminished vitality.
Public-domain text, read in full here on John Shaqi.
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