Winchester, Painted by Wilfrid BallVarley, Telford
History
Winchester, Painted by Wilfrid Ball
Varley, Telford
Winchester (England) -- Description and travel; Winchester (England) -- History; Winchester (England) -- Pictorial works
Henry III.’s reign was indeed a notable one for the city, and one
notable addition he made to it remains still as one of its foremost
architectural and historical treasures. This is the great and noble hall
which he added to the castle, and which retains still, with some
alteration, much of its original character. Many a notable scene has
this noble hall witnessed, both during Henry’s reign and since, the
early Parliaments of 1265 and 1268 pre-eminent among them. One such
dramatic scene was the one related in full by Matthew of Paris, as
occurring in 1249, when the king unmasked and brought to justice a
confederacy of robbers who had conspired to waylay the highways and rob
the passers-by. None were safe from them: even the king’s own
consignments of wine, coming to Winchester, were stopped and plundered.
Matters were in this state of insecurity when the king, coming to
Winchester, was approached by some Brabantine merchants, who complained
that they had been stopped on the highroad near Winchester and robbed of
200 marks. The king’s anger boiled over, and in hot indignation he
ordered the castle gates to be shut, and a jury empanelled then and
there to find and disclose the offenders. The twelve citizens thus
appointed pleaded inability to throw light on the matter, but the king,
not to be thwarted, shouted, “Carry away those artful traitors; bind
them, and cast them into the dungeons below, and let me have twelve
other men, good and true, who will tell us the truth.”
The second jury, with the fear of death thus before them, promptly
displayed quicker powers of perception, and laid before the king the
detects of a widespread conspiracy, in which many leading men of the
city and neighbourhood, as well as of the king’s household, whose pay
was probably long in arrear, were implicated. And so justice was done,
and for a while travelling abroad was safer.
Thus, now through good report, now through evil, the fortunes of our
city waxed and waned, but, in a sense, her day was over. Mediaeval
Winchester more and more grew to assume the character of a purely
provincial city; one with importance, indeed, with prestige and dignity,
but from which, like the so-called ‘buried cities’ of the Zuyder Zee,
the wide shores whereon the tides of major national circumstance ebbed
and flowed, continually receded more and more, while her citizens found
themselves less and less ‘going down in ships’ to the broad sea of
national life, and ‘occupying their business’ in those ‘great waters.’
CHAPTER XIV
FOURTEENTH AND FIFTEENTH CENTURY WINCHESTER
What do you lack, what do you buy, mistress? a fine hobby horse to
make your son a tilter? a drum to make him a soldier? a fiddle to
make him a reveller? what is’t you lack?
BEN JONSON.
Public-domain text, read in full here on John Shaqi.
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