Winchester, Painted by Wilfrid BallVarley, Telford
History
Winchester, Painted by Wilfrid Ball
Varley, Telford
Winchester (England) -- Description and travel; Winchester (England) -- History; Winchester (England) -- Pictorial works
It is pleasant to turn away from the direct stream of the national
flood, and to explore some of the by-streams, the more local whirls and
eddies in the life of our city, and this theme is naturally suggested by
the thought of Winchester in the fourteenth and fifteenth centuries,
when imperial politics had largely ceased to affect her, and the wider
growth of interests and domestic features had given her life within a
greater diversity, and rendered possible a minuter degree of
specialization.
Interest in the main centres round her civic rule, the pilgrim stream,
the great annual Fair of St. Giles, and the domestic architecture, while
supreme over all these was the dominating interest and control exercised
by the ecclesiastical powers within her--the sway of the crozier and the
tonsure, the cloister and the cowl. We shall deal in this chapter with
the city at large, leaving to the chapter following the more purely
monastic aspects.
The city as a city had been growing--as always was the case with
mediaeval towns closely walled in--continually more and more congested.
The southeastern quarter occupied by the Convent of St. Swithun’s, with
its Cathedral and great churchyard, the adjoining Abbey of St. Mary, and
the bishop’s residence at Wolvesey, was a lung open indeed and well
ventilated, but elsewhere the hemmed in area was a maze of narrow and
crowded thoroughfares, with houses, whose curiously timbered, but
inconveniently picturesque fronts, almost jostled one another across the
narrow passage-ways between,--houses, of the type still to be seen in
the so-called ‘Old Rectory’ in Cheesehill Street, in the pseudo-antique
houses in ‘the Brooks,’ in Mr. Mayne’s Tudor House near the Butter
Cross, and the present Godbegot House almost opposite, of later date
though most of these be--as if the chief office of neighbourly regard of
a mediaeval dwelling to those round her was not merely to
Not beteem the winds of Heaven,
Visit _their_ face too roughly,
but also to religiously exclude that indiscreet and unwelcome intruder,
the all-prying and inquisitive sun, while through many of the low-lying
streets ran broad and open ditches, not always, alas! the _dulcia et
piscosae flumina aquae_, the sweet refreshing streams which Precentor
Wulfstan had once commemorated,--streams whose channels flow now in
well-regulated courses, some open, some underground, but which then
made their way, often through filth and accumulated garbage, in far less
well-ordered circulation through the city.
Though the city, judged by contemporary standards, might be a ‘joly
cité,’ of which
The aere was god both inne and oute,
it must have fallen far short of almost every modern standard of health
and convenience, and its narrow, confined, and ill-cleansed courts were
the lurking-places of contagion and of never wholly absent plague.
Public-domain text, read in full here on John Shaqi.
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