Winchester, Painted by Wilfrid BallVarley, Telford
History
Winchester, Painted by Wilfrid Ball
Varley, Telford
Winchester (England) -- Description and travel; Winchester (England) -- History; Winchester (England) -- Pictorial works
But active as were the currents that circulated in and round the gilds,
the wool markets, the annual fair, and the pilgrimage resorts, the
dominating stream was that which flowed through the monastic channel,
and over mediaeval Winchester the influence of the monastery in one form
or other, whether of priory, abbey, or nunnery, or whether of the
mendicant orders, or nursing sisterhoods, now for a considerable time
firmly established in the city, was supreme.
The Priory was a secluded area, the privacy of which was jealously
guarded. The Cathedral itself, from the eastern angle of the north
transept to the southern corner of the west front, formed the effective
boundary on the city side, with the great churchyard lying between it
and the city proper. The remainder was supplied by the high close-wall
running all round it, much as the greater part of it does now, flanked
to the east by the boundary of the Bishop’s residence at Wolvesey, and
forming, with the latter, part of the external defences of the city, so
that between them the monks and the Bishop relieved the citizens of
something like a quarter of the burden--a heavy one at that time--of
keeping the walls in repair and defending them if attacked.
The main entrance was then, as now, the great close-gate, opening into
Swithun’s Street near Kingsgate,--the point of attack in the troubles of
1264--and besides this a small postern or opening gave access from
‘Paradise’--as the area east of the northern transept was and still is
called--to Colebrook Street and Paternoster Row. From the churchyard to
the domestic quarter no direct means of access existed; the ‘Slype’ or
passage through the great south-western buttress was not yet made, and
to pass from the west part into the cloister it was necessary to pass
through the Cathedral itself.
Public-domain text, read in full here on John Shaqi.
Reviews
Reviews
No reviews yet
Be the first to share your thoughts on this work.
Elsewhere in the archive
Join the Discussion
Join the discussion
Sign in to leave a comment or review.
Sign InorCreate an account