Winchester, Painted by Wilfrid BallVarley, Telford
History
Winchester, Painted by Wilfrid Ball
Varley, Telford
Winchester (England) -- Description and travel; Winchester (England) -- History; Winchester (England) -- Pictorial works
Yet it would be a profound mistake to infer--as one easily might,
particularly if one were guided by popular pictorial representations of
it--that the life of the fourteenth century monk was one of ease and
enjoyment. In reality it was one of severe discipline and
self-repression. The eight daily services of the hours beginning at
midnight with nocturnes, and ending at evening with compline, with the
enforced vigils and broken periods of sleep they entailed, were but a
part of the regular daily obligation. In addition there were masses to
be said, study and reading in the cloister, the labours of teaching and
of the scriptorium. It is a somewhat cheap sneer to set down the monk as
merely indolent or self-indulgent, but his life certainly tended as a
rule more to deaden than to exalt, and the monk entered the cloister
only too often to discover nothing but a limited outlook and a dreary
round of humdrum trivialities, instead of the religious peace and the
beatific vision he had expected.
The brethren who controlled the various departments of monastic economy
were termed _Obedientiarii_, or brethren yielding obedience to the
Prior, and responsible to him for performance of their respective
duties. The Prior was over all, and next to him was the Sub-prior. The
church was looked after by the Sacrist and the Precentor. These
regulated the services, while the latter in addition was responsible for
the discipline. He was the general policeman, a kind of peripatetic
conscience, imposing silence in the cloister, and checking illicit
conversation, and particularly on the alert during nocturnal service,
lest the burden of drowsiness should prove too heavy for any of the
worshippers. Armed with a lantern he stole from brother to brother, and
if any was found nodding he placed the lantern at the offender’s feet,
who, thus detected and openly shamed, was required to take up, as it
were, the ‘fiery cross,’ and bear it on until he should find another
guilty like himself, in which case he might pass the unwelcome task on
to his companion in disgrace--a kind of monastic game of touch, not
without its humorous side. The manager of the estates was the Receiver
or Treasurer, the chief domestic official the Hordarian or Steward,
others were the _Custos operum_ or Keeper of the Fabric, the Cellarer,
the
Almoner, the Master of the Novices, or _Magister ordinis_, the Gardener,
and so on.
Public-domain text, read in full here on John Shaqi.
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