Winchester, Painted by Wilfrid BallVarley, Telford
History
Winchester, Painted by Wilfrid Ball
Varley, Telford
Winchester (England) -- Description and travel; Winchester (England) -- History; Winchester (England) -- Pictorial works
Antiquity and long-continued vitality such as have fallen to
Winchester--for to go back to its early humble beginnings takes us back
very far indeed--lead us naturally to look for causes, and prompt the
questions, Why, in the first instance, did a human community settle here
at all? What through so many alternations of human vicissitude and
political circumstance has operated to maintain these intact? _Tempus
edax rerum_--Time, the devourer of constituted things, is written not so
much on its stones, as in its stones, yet Winchester remains Winchester
still. For, be it noted, there is nothing in the nature of things which
gives to cities and communities any prescriptive claim or assurance of
permanence. We have not, indeed, to travel far from Winchester to find
instructive instances, to the very contrary, among its earliest
neighbours and contemporaries. Silchester, Sarum, Portchester, its early
British contemporaries, which once flourished even as Winchester, have
long since sunk, the last named into inanition, the two former into
dissolution so complete that no trace now remains, save what little the
ploughshare or the antiquary may from time to time unearth; and that
little would probably, but for the worms’ unceasing activity, have long
since perished beyond recall. For with cities, as with the animal world,
the secret of continued vigour is the secret of continued adaptation to
environment; towns and cities, like other organized existences, are just
as old as the arteries which feed them, and as long as function is
efficiently performed, so long will there be health to perform it.
And yet as years go, Winchester is old,--how old none can say. Ancient
Neolithic interments on St. Giles’s Hill, old Celtic barrows on Morne
(_Magdalen_) Hill behind, carry us back far indeed beyond the days of
permanent settlement, and her continuous existence goes back far beyond
the days of any written historical record, yet all these years she has
retained her identity and her vigour unimpaired. What physical causes
have contributed to this we shall perhaps be better able to appreciate
if we quit St. Giles’s Hill and clamber up to the top of St. Catherine’s
Hill, the bold chalk hill which dominates the view southward from the
city. An interesting hill it is, with modern associations which we will
not stop to consider now, but turn our thoughts to the view before us.
Below us is a flat-bottomed valley, a mile or two across, with the
numerous winding channels of the river intersecting the water meadows at
our feet. To our north lies the city, seen from this point to excellent
advantage, occupying the flat of the valley, and creeping up the hill
slopes on either side, while far away in the distance the chalk upland
seems to roll away, ridge succeeding ridge, till all detail is lost in
distance.
Public-domain text, read in full here on John Shaqi.
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