The first page contains a quotation from a letter to you from an
insect known as a “literary agent.” Dear Carrie, listen to the
chirp of the crickets on the mountain, but don’t pay any attention
to the noise of that tribe. I am fortunate enough not to know this
particular duffer that has written such “piffle” (as they say in
Chicago), but I’ve heard about him—and you cut him out. He’s an
insufferable, measly kid, at the Sweet Caporal cigarette age,
and his graft is to stuff you provincial writers (I’m speaking
impersonally now) with his taffy so he can get your stuff to peddle
around. Don’t you believe his trick; and you quit sending him your
stuff. He’s trying to make you think you’ve got George Eliot and
Mrs. Humphry Ward beat to a batter, when you know yourself it ain’t
so. Isn’t that a sage, oh, what a wonderfully sage remark when he
says “you must write your best!”
Don’t you believe “that the editors are asking about you
constantly, and are more than anxious to see your work.” It’s not
so.
Now get mad again, and when that old-time smile comes back, read on
further.
Mein Gott! what a recollection you have of me! “A tall, slender lad
with nice eyes—awfully quiet, and——Oh, I’ll admit the exceedingly
fond.” Was it a mystery why? Well, I dunno, except because you were
so sweet and devilish.
To-day I am as slender as anybody five feet eight and weighing 175
pounds could be, and I’ve sharp, mean eyes. (I told Bobby that
he had nice eyes because I couldn’t remember the colour.) I’ve
been taken for a detective lots of times, but I haven’t changed
so much inside, and if you were on the twentieth floor of the
Waldorf-Astoria to-night, and had a string long enough, I’ll bet
I’d have a magnolia or two and a box of candy to tie to the end of
it.
You speak of meeting old Tom in your letter. Well, just a few days
afterward I got a letter from him talking about old days. Said
he’d been in New York often and might be back. Lordy! I’d like to
see him again. (Back in the old days at Roseboro Tom was one of the
whistlers under my window the night I got the magnolias.)
Well, now, Carrie, what do _you_ care if Tom pays attention to
somebody and likes her? Ain’t that the only thing there is that’s
worth two cents? Doesn’t the gentleman that takes you out driving
and boat riding ever—ever—talk about how nice the moon looks? Oh,
Carrie, never get so you feel like running down such foolishness.
After everything is added and subtracted, _that_ is the only
remainder.
Public-domain text, read in full here on John Shaqi.
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