This has been a heavenly day. Mr. Elliott came to Boston on business
and ran down to Duxbury to see some friends of his, and all of them
motored over to Plymouth and got me. I lunched at the loveliest home
in Duxbury. The sea was almost in the back porch. Mr. Elliott came
back in the machine with me and took the train for Boston. When
he left he held my hands in a mighty close friendly clasp, and he
said—never mind what he said. It is lovely of Mr. Elliott to be so
good to me, and it’s comforting down to my toes. For some idiotic
reason I want to cry again. I won’t cry! And I won’t sit here. (I
have climbed to the old graveyard, and seated myself on the slab of a
virtuous spouse.) I need all my nerve force. It must sparkle in the
changes I’ve got to put in my book. And I know why I’m nervous, and I
know why I want to cry. It’s always satisfactory when you can chase
an emotion to its lair——I was taken to the graveyard when I was very
little—mammy used to take me with her when she went to put flowers on
my great-aunt’s grave, the lady whose false teeth fell into mammy’s
care; and she (mammy) was always so solemn on these occasions—it was
before the day of Christian Science—there was death then, and hell,
and a devil. I feel quite cheerful since I have analyzed the teary
feeling.
_April 26th._
_Night._
A letter from Dicky forwarded to New York and on here. It lilts like
the song of the happy little wren that was singing in the big cedar
tree at the garden gate the day I left home.
“Oh, Caroline,” Dicky says, “I want to go out under the stars
to-night at home and bury my face in the pansies that always riot
in your April garden. With their soft little faces close, close to
mine, I want to tell them a secret. I want to tell it to you, too,
Caroline. But not yet—not yet.”
I go out under the stars, through the quiet streets, and down to the
quiet sea. The night is poignantly sweet and beautiful. Dicky, little
sister, child of my love, keep your secret. I could not bear to hear
it yet—not yet.
_April 27th._
A telegram from Bobby. He wants to come to Plymouth. He has something
to tell me. It is Bobby’s chivalry that makes him feel he should go
through the form of asking me for Dicky. I have wired no. There’s a
little kodak of him that I cut from a magazine and put in my little
silver frame. I can reach out my hand and touch it here where I sit,
and, vaguely, it comforts me.
Public-domain text, read in full here on John Shaqi.
Reviews
Reviews
No reviews yet
Be the first to share your thoughts on this work.
Join the Discussion
Join the discussion
Sign in to leave a comment or review.
Sign InorCreate an account