The attempt to remove militarism and military conceptions from among
human preoccupations is a good cause and that I will serve with the
only weapon I know how to use--the pen, which they say is mightier than
the sword or even the howitzer. Having applied myself to this service
before the outbreak of the Great War, which for me began in 1911, I was
not to be diverted from it by the panic confusion of those who were
overtaken by the calamity rather than prepared for it. With Windmills,
my essay on Satire, my critical study of Samuel Butler, the Interlude
in Old Mole, I was an active participant in the Great War before it
began, but of course no one pays any attention to a prophet, especially
when he is enough of an artist to desire to give his prophecy permanent
form. That indeed was my mistake. Had I thundered in the accents of
Horatio Bottomley instead of clipping my sentences to the mocking
murmur of satire I might have been a hero to some one else’s valet, not
having one of my own. Peace has her Bottomleys no less renowned than
war, but I am afraid I am not among their number, for I have long since
returned to the serious business of life, the composition of dramatic
works, and I am in the position that most ensures unpopularity, that
of being able to say ‘I told you so.’
I am a little alarmed when I consider how closely the Great War
followed my prophecy of it and turn to the fables, Gynecologia and
Out of Work, which follow logically from the other. A world governed
by women as lopsidedly as it has been by men would be much like that
depicted here, and the final collapse, if it came, would surely follow
the lines indicated in Out of Work. None of us knows exactly of what we
are a portent and who can imagine to what Lady Astor’s flight into fame
may lead? If I had not already dedicated this book to my friend D. H.
Lawrence I would, without her permission, inscribe upon it the name of
the first woman to take her Seat in the worst club in London, the House
of Commons.
GILBERT CANNAN.
New York, 1919.
Samways Island
I: TITTIKER
George Samways awoke one night with a vague distressful feeling that
all was not well with his island. The moon was shining, but it was
casting the shadow of the palm tree in which he slept over the hollow
wherein he cooked his meals, and that had never happened before.
Public-domain text, read in full here on John Shaqi.
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