The Frisian Museum in Leeuwarden contains also about the most valuable
and comprehensive collection of old Delft, Chinese, and Japanese ware
in Holland, tastefully cabineted in one of the large rooms on the
ground floor. To the connoisseur in such matters this room is a treat
that cannot be overlooked with impunity, for the character of its
contents is unparalleled and its value indeterminable. Shelf after
shelf there are of the most delicately tinted tea sets and table
services, vases and urns of every description, and the wooden columns
that support the floor above are hung with graduated festoons of plates
and saucers, so that it would take the greater part of a week to
inspect them all.
On the second floor are a number of tiled rooms furnished in authentic
sixteenth and seventeenth century style, even to the sleeping bunks in
the walls and the miniature ladders that once assisted in climbing into
them. The models of these and most of their furnishings were found in
Hindeloopen. To increase the realistic effect of these apartments the
authorities have introduced groups of three or four stuffed figures
attired in the costumes of the period, posed in front of the fireplace
or about a center table, but they are so stiff and ludicrous-looking
that they might well be dispensed with, and their costumes shown to
better effect behind the glass of a cabinet. In the basement can be
seen a few rooms finished and outfitted with the domestic and culinary
implements of the same centuries.
In addition to all these there are two adjoining rooms on the second
floor of the Museum containing old furniture and decorations bequeathed
to the State by the artist Bisschop. The most conspicuous object in
one of these rooms is an immense cabinet of beautifully carved oak,
black and glossy with age, that would excite the envy of any lover of
the antique. Built in 1610, it was purchased thirty-five years ago by
Bisschop for something like twelve or fifteen dollars; to-day it has a
valuation of $2,000. On its top stand two pieces of old Delft for which
the artist originally gave as little as ten gulden.
The remaining rooms of the Museum contain collections of Roman and
Frisian coins and medals, Roman curiosities found in the neighborhood,
fine old silver plate and flagons, remarkably carved ivory hunting
horns, and, since the early Frisians were alleged by some to be the
first pipe smokers in Europe, an instructive conglomeration of pipes
and tobacco pouches and all the accessory appurtenances necessary to
the full enjoyment of the weed.
Public-domain text, read in full here on John Shaqi.
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