Bildungsromans; Fathers and sons -- Fiction; Young men -- Fiction
The singer, a short man with grotesquely wide shoulders, wore a long
flowing moustache, and a black coat, covered with dust, that reached to
his knees. He held a smoking briar pipe in his hand, and with it beat
time for a row of men sitting on a long stone under the store window and
pounding on the sidewalk with their heels to make a chorus for the song.
Sam’s smile broadened into a grin as he looked at the singer, Freedom
Smith, a buyer of butter and eggs, and past him at John Telfer, the
orator, the dandy, the only man in town, except Mike McCarthy, who kept
his trousers creased. Among all the men of Caxton, Sam most admired
John Telfer and in his admiration had struck upon the town’s high light.
Telfer loved good clothes and wore them with an air, and never allowed
Caxton to see him shabbily or indifferently dressed, laughingly
declaring that it was his mission in life to give tone to the town.
John Telfer had a small income left him by his father, once a banker
in the town, and in his youth he had gone to New York to study art, and
later to Paris; but lacking ability or industry to get on had come back
to Caxton where he had married Eleanor Millis, a prosperous milliner.
They were the most successful married pair in Caxton, and after years
of life together they were still in love; were never indifferent to
each other, and never quarrelled; Telfer treated his wife with as much
consideration and respect as though she were a sweetheart, or a guest in
his house, and she, unlike most of the wives in Caxton, never ventured
to question his goings and comings, but left him free to live his own
life in his own way while she attended to the millinery business.
At the age of forty-five John Telfer was a tall, slender, fine looking
man, with black hair and a little black pointed beard, and with
something lazy and care-free in his every movement and impulse. Dressed
in white flannels, with white shoes, a jaunty cap upon his head,
eyeglasses hanging from a gold chain, and a cane lightly swinging from
his hand, he made a figure that might have passed unnoticed on the
promenade before some fashionable summer hotel, but that seemed a breach
of the laws of nature when seen on the streets of a corn-shipping town
in Iowa. And Telfer was aware of the extraordinary figure he cut; it was
a part of his programme of life. Now as Sam approached he laid a hand on
Freedom Smith’s shoulder to check the song, and, with his eyes twinkling
with good-humour, began thrusting with his cane at the boy’s feet.
“He will never be ruler of the queen’s navee,” he declared, laughing and
following the dancing boy about in a wide circle. “He is a little mole
that works underground intent upon worms. The trick he has of tilting up
his nose is only his way of smelling out stray pennies. I have it from
Banker Walker that he brings a basket of them into the bank every day.
One of these days he will buy the town and put it into his vest pocket.”
Public-domain text, read in full here on John Shaqi.
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