Bildungsromans; Fathers and sons -- Fiction; Young men -- Fiction
After these evenings of carousal, carried on with Jack Prince and with
young men met on trains and about country hotels, Sam spent hour after
hour walking about town absorbed in his own thoughts and getting his own
impressions of what he saw. In the affairs with the young men he played,
for the most part, a passive rôle, going with them from place to place
and drinking until they became loud and boisterous, or morose and
quarrelsome, and then slipping away to his own room, amused or irritated
as the circumstances, or the temperament of his companions, had made
or marred the joviality of the evening. On his nights alone, he put his
hands into his pockets and walked for endless miles through the lighted
streets, getting in a dim way a realisation of the hugeness of life. All
of the faces going past him, the women in their furs, the young men
with cigars in their mouths going to the theatres, the bald old men with
watery eyes, the boys with bundles of newspapers under their arms, and
the slim prostitutes lurking in the hallways, should have interested him
deeply. In his youth, and with the pride of sleeping power in him, he
saw them only as so many individuals that might some day test their
ability against his own. And if he peered at them closely and marked
down face after face in the crowds it was as a sitter in the great game
of business that he looked, exercising his mind by imagining this or
that one arrayed against him in deals, and planning the method by which
he would win in the imaginary struggle.
There was at that time in Chicago a place, to be reached by a bridge
above the Illinois Central Railroad track, that Sam sometimes visited
on stormy nights to watch the lake lashed by the wind. Great masses
of water moving swiftly and silently broke with a roar against wooden
piles, backed by hills of stone and earth, and the spray from the broken
waves fell upon Sam’s face and on winter nights froze on his coat. He
had learned to smoke, and leaning upon the railing of the bridge would
stand for hours with a pipe in his mouth looking at the moving water,
filled with awe and admiration of the silent power of it.
Public-domain text, read in full here on John Shaqi.
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