Villages -- England -- Fiction; Yorkshire (England) -- Fiction
Once or twice it has been warm enough for me to stretch myself full
length upon the grass, and I have lain awhile in blissful contemplation
of the work of the Great Architect in the high vault of His cathedral.
That always rests me, always fills me with a sense of mystery, always
gives me somehow or other a feeling of peace and of partnership. I
rise up feeling that I must do my best to make the world beautiful, and
use all my abilities--such as they are--to bring gladness into the
lives of other people. I cannot make clouds and sunsets, but I can
paint miniatures, and I can take portraits (or I think I can), and
these things make some homes bright and some folk happy. But I must
not moralise.
More often I bring out the deck-chair, which is one of my luxuries, and
sit in front of the cottage with Mother Hubbard as a companion. She is
splendid company. If I encourage her she will tell me interesting
stories of her youth and married life, or repeat the gossip of the
village; for none is better versed than she in all the doings of the
countryside. If, however, I wish to be quiet she sits silently by my
side, as only a real friend can. But whether she talks or is silent
her knitting needles never stop their musical clatter. What she does
with all the stockings is beyond my knowledge, but I believe Sar'-Ann
could tell me if she would, and I am sure all this knitting contributes
no little to Mother Hubbard's happiness.
So I lean back in my chair and feast upon the scene before me and am
satisfied. I wonder if it would appeal to many as it does to me.
Probably not, for, after all, I suppose there are many more beautiful
places than Windyridge, but I have never travelled and so cannot
compare them. Then again, this is Yorkshire and I am "Yorkshire," and
that explains something. Still, I ought to try to write down what it
is that impresses me, so I will paint as well as I can the picture that
is spread before me as I sit.
First of all, as a fitting foreground, the garden--past its best, I can
see, but still gay with all the wild profusion of Flora's providing;
plants whose names are as yet unknown to me, but which are a constant
delight to sight and smell. Then the road, with its border of cool,
green grass, winding down into the valley between hedges of hawthorn
and holly--ragged, untidy hedges, brown and green where the sun catches
them, blue-grey and confused in the shadows. Beyond them a stretch of
fields--meadow and pasture, and the brown and kindly face of Mother
Earth dipping steeply down to meet the trees which fill the narrow
valley, and are just beginning to catch the colours of the sunset.
Footpaths cross the fields, and I see at times those who tread them and
climb the stiles between the rough grey walls; and I promise myself
many a good time there, but not yet.
Public-domain text, read in full here on John Shaqi.
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