Villages -- England -- Fiction; Yorkshire (England) -- Fiction
Soon after half-past twelve I caught sight of the advance guard
approaching. The footpaths between Windyridge and Marsland Moor became
dotted with microscopic moving figures which materialised usually into
male and female, walking two and two, even as they went into the ark,
as Widow Robertshaw might have observed.
When they reached the village street the sight of my studio seemed to
astonish them and tickle their fancy. "In the spring a young man's
fancy lightly turns to thoughts of love"--and portraiture. Quite a
group of young people gathered about my sign before two o'clock, and
from that time until five I never sat down for one minute. As fast as
I bowed out one couple another entered, amid a fusillade of
good-humoured chaff and curtly-expressed injunctions to "be quick about
it." I took so much money, comparatively speaking, in three short
hours that I began to see visions and dream dreams--but the Cynic
dispelled them.
He was standing in the garden, talking to Mother Hubbard, when I locked
up the studio, and although he was in shorts I recognised him at once,
for thus had I seen him in my dream. I involuntarily glanced at myself
to make sure that I was correctly garbed and that it was really the
key, and not Madam Rusty's teapot, that I held in my hand.
He came forward smilingly and held out his hand. "How do you do, Miss
Holden? I had intended asking you to take my photograph, but
competition for your favour was so keen that the modesty which has
always been my curse forced me to the background."
"If it had forced you to the background you would have entered my
studio, Mr. Derwent," I replied; "all those who have competed
successfully for my favour were not deterred by dread of the
background. I fear, however, it is now too late to endeavour to
encourage you to overcome your bashfulness."
"Indeed, yes:
"'The shadows of departing day
Creep on once more,'
as the poet hath it, and when one has walked eight or nine miles across
the moors the man within cries out for food and drink even more than
for art. And therefore I have ventured to introduce myself to Mrs.
Hubbard and to inquire if she would make me a cup of tea, and she has
very kindly consented to do so."
I looked at Mother Hubbard, who had sufficient sense of the appropriate
to blush very becomingly.
"You old sinner!" I said, "how dare you impose upon my good nature!
Are there so few neighbours of ours who cater professionally for the
requirements of these 'men within' that we must needs enter into
competition with them?"
Mother Hubbard's nods and winks became so alarmingly expressive,
however, during the course of my speech, that I was in real danger of
becoming confused, so I turned to our guest and extricated myself.
Public-domain text, read in full here on John Shaqi.
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