Wine, Women, and Song: Mediaeval Latin Students' songs; Now first translated into English verse
History
Wine, Women, and Song: Mediaeval Latin Students' songs; Now first translated into English verse
Goliards -- Songs and music -- Texts; Songs, Latin (Medieval and modern) -- Translations into English; Students' songs -- Europe -- Texts
[Footnote 48: Giesebrecht identifies Walter of Lille with the
Archipoeta. But he seems to be unacquainted with Salimbene's
Chronicle, and I agree with Hubatsch that he has not made out his
point.]
[Footnote 49: Op. cit., p. 235, also in _Carm. Bur._, p. 74.]
[Footnote 50: Hannover, 1859.]
[Footnote 51: Page 23.]
BOOKS ON GOLIARDIC LITERATURE.
Carmina Burana. Stuttgart. 1847.
Thomas Wright. The Latin Poems commonly attributed to Walter Mapes.
Camden Society. 1841.
---- Anecdota Literaria. London. 1844.
---- Early Mysteries, etc. London. 1844.
Edelstand du Méril. Poésies Populaires Latines Antérieures au Douzième
Siècle. Paris. 1843.
---- Poésies Populaires Latines du Moyen Age. Paris. 1847.
---- Poésies Inédites du Moyen Age. Paris. 1854.
Jacob Grimm. Gedichte des Mittelalters auf König Friedrich I., den
Staufer. Berlin. 1843.
H. Hagen. Carmina Medii Aevi Max. Part. Inedita. Bern. 1877.
F. Novati. Carmina Medii Aevi. Firenze. 1883.
Mone. Anzeiger, vii.
W. Müldener. Die Zehn Gedichte von Walther von Lille. Hannover. 1859,
Champollion-Figeac. Hilarii Versus et Ludi. Paris. 1838.
Gaudeamus. Leipzig. 1879.
Carmina Clericorum. Heilbronn. 1880.
A.P. Von Bärnstein. Carmina Burana Selecta. 1880.
---- Ubi sunt qui ante nos? Würtzburg. 1881.
Giesebrecht. Die Vaganten. Allg. Monatscrift für W. und K. 1853.
O. Hubatsch. Die Lateinischen Vagantenlieder. Görlitz. 1870.
A. Bartoli. I Precursori del Rinascimento, Firenze. 1876.
Allgemeines Deutsches Commersbuch.
TABLE OF SONGS TRANSLATED IN THIS VOLUME.
N.B.--In order to facilitate the comparison between my translations
and the originals, I have made the following table. The first column
gives the number of the song and the second the page in this book; the
third column gives the beginning of each song in English; the fourth
gives the beginning of each song in Latin. The references in the fifth
column are to the little anthology called _Gaudeamus_ (Leipzig,
Teubner, 1879); those in the sixth column are to the printed edition
of the Benedictbeuern Codex, which goes by the title of _Carmina
Burana_ (Stuttgart, auf Kosten das Literarischen Vereins, Hering & Co.
printers, 1847).
Public-domain text, read in full here on John Shaqi.
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