Winefred: A Story of the Chalk CliffsBaring-Gould, S. (Sabine)
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Winefred: A Story of the Chalk Cliffs
Baring-Gould, S. (Sabine)
English fiction
The room in which she had been put to bed was on the ground floor.
There was a doorway from it communicating with the front kitchen.
After one of these recurring spasms of fear, rousing her to full
wakefulness, at the girl's desire, Mrs. Marley left the door partly
open between the apartments, so that the firelight might play in at
the opening and flicker about the room, and she could hear the murmur
of the voices of the speakers, and occasionally catch sight of them as
they moved about.
But Winefred was too weary to listen to what they said, and she
gradually slipped off into slumber again, once more to rouse with a
start, but less terrifying than before, and then again to glide into
unconsciousness.
Meanwhile her mother was in the adjoining chamber, and was conversing
with the man who was the rescuer of herself and of her child.
This man was broad-shouldered, strongly built, with thick, tangled grey
hair.
He wore, what at the time was unusual, a dense bush of the same
grizzled hair covering the lower portion of his face. He had bright,
keen eyes under penthouse brows, and a bold, beak-like nose. About his
throat was bound a scarlet kerchief. He wore a blue shirt under an
unbuttoned, long-flapped, white waistcoat with sleeves. His coat he had
laid aside.
The room, as already intimated, constituted at once kitchen and
parlour, such as in Yorkshire is termed the 'ha'aze,' but for which
elsewhere a designation is wanting. In it the meals were cooked
and also eaten, but the preparations previous to cooking, and the
washing-up of the dirty plates after, were carried on in the back
premises.
Against the wall, in a recess by the fireside, was an ancient press,
quaintly carved, of oak, with brass scutcheons and hinges, but, as
though the latter were not deemed of sufficient strength, additional
hinges in iron had been added.
On the mantelshelf were skillet, candlesticks, snuffer-tray, a copper
mortar, all polished and reflecting the dancing light of the fire. Also
a black case that contained gunpowder, there kept to ensure its being
dry. Above hung great holster pistols, a pair of cutlasses, and a long
Spanish gun.
Public-domain text, read in full here on John Shaqi.
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