Daylight brings another state of affairs. The inn is alive with the noise of departing autos, and there is much wonderment that I will linger in this "queer place," with Paris and all it holds so near. There are even doubtful glances cast at my red car and insinuations that it will not go. It certainly will not now, nor for several hours to come. Passing out into the sunny street I find a busy little bustling city, alive to its own concerns. Yonder old gentleman in that postal card shop is very much alive to the fact that I have not patronised his wares, which I do at once, and he is delighted that I really take an interest in his beloved old town. His preference is for the ancient city but he does not forget her attractions of to-day and trusts that I will not depart without an inspection of the factory where the tapestries are made. This factory was established before the Gobelins, and these good people of Beauvais consider their work far superior to that of the better known fabric near Paris. [Illustration: THE GRAND PORTAL OF THE CATHEDRAL OF BEAUVAIS By permission of Messrs. Neurdein] As I enter the Cathedral, even the majesty of the building is for a time secondary to the interest excited by the splendid specimens of this work, which hang upon the walls. They are vast in size and very rich in colouring, as well as beautiful in design, and represent the histories of St. Peter and St. Paul after the cartoons of Raphael. These tapestries are worth a million and a half of francs, and it has been proven by the returns made to the Minister of Fine Arts from all over France, that the art treasures of the churches far surpass in beauty and value those of the great public institutions of Paris, Versailles, the Louvre, Luxembourg, de Cluny, and Carnavalet. In fact those vast collections are but a small part of the artistic wealth of France. Its real wealth is in its churches, and if brought to a sale would realise the fabulous sum of six thousand millions of francs, or twelve hundred millions of dollars. The little Roman church of Conques, hidden in the mountains of the Aveyron, possesses a treasure,--shown at the Exhibition of 1900, for which a syndicate offered thirty-two million francs. It is well for France that it is inalienable. It holds the finest enamels in the world, reliquaries given by the kings, and Roman statues in gold and silver. For the silver Virgin of Amiens, eight hundred thousand francs was offered, and the one at Le Mans is valued at a million, while the Cathedral of Rheims possesses in its panel, representing the Nativity, the most valuable piece of tapestry extant.