Automobile travel; France -- Description and travel
The traveller does not see the ocean itself until his machine mounts
the last hill before reaching Biarritz. Nature has found it necessary
to erect a huge barrier against the onslaught of all that water which
just here in the right angle formed by the coasts of France and Spain
rolls in with such terrible force that no wall built by man is able to
withstand it. Hence the God of the earth erected these hills to protect
his domain in the eternal warfare with the God of the sea, and Biarritz
has set herself down on the outer side of the hills to have a good view
of the conflict. Her green and pink villas and many hotels spread out
before one on either hand, and down below cluster the hotels close to
the water where even on "a quiet day" their windows are splashed by the
attacking waves.
Fortunately the God of the earth has made this coast a rocky one, using
these foot-hills of the Pyrenees as buffers against the sea; otherwise,
the town would vanish some stormy night. In fact, even a rock barrier
does not appear to have protected at this point, for surely in some
wild moment of rage the storm dragon did seize a large mouthful from
just this corner of Europe,--thus forming the Bay of Biscay,--and
turning, dropped it in the shape of the Island of New Foundland in
the dreariest portion of the Western Atlantic. (Examine the map for
yourself.) There he hides his plunder in perpetual mists, where the
fishermen from this coast go down to their graves annually by the
hundreds.
Here to-day all is glorious sunshine with no thoughts of disaster. Off
to the southwest the sparkling mountains of Spain stretch out and out
until they blend with the swirling waters of the Bay of Biscay gleaming
blackly, while to the northward the coast of France bears away on guard
against further encroachments.
As we roll into the outskirts of the town of Biarritz, the route is
mostly between high walls draped in trailing vines and pierced with
iron gateways, through whose trellis-work stiff walks bordered by
formal flower beds, are to be seen leading up to much more formal
villas. There are some quaint signs on the many little hotels; here,
for instance, is the "Inn of the Parlor of Love" in a shady corner all
by itself. Jean seems inclined to stop, but I veto the inclination, and
rolling swiftly onward, we shortly draw up at the door of the Hôtel du
Palais, recently opened and so new that its magnificence hurts both the
sense of smell and sight. It was originally the palace of the Empress
Eugenie and stands just over the sea.
Public-domain text, read in full here on John Shaqi.
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