Automobile travel; France -- Description and travel
It is Sunday and all the world up here is either asleep or gone to
church. The little village of half a dozen houses, which clusters
around this rock, gives no evidences of life. There is not even the
bark of a dog, and the walls of the castle dominated by the great
keep rise in silent majesty, while some white clouds drift by far up
in a blue sky. The peace is intense and I regret to break in upon it,
but there is the castle to be examined and I jangle an ancient bell
at the great gateway, jangle and jangle, but no answer comes, until
finally the bark of an old dog inside replies to my summons. He comes
to the inside and barks again, plainly intimating that he is alone.
It is Sunday and he was asleep and he wishes we would go away; _he_
cannot open the gate, any one should have sense enough to see that.
The custodian, evidently a woman from the flowers in that window, must
have gone to church and locked him in, but did she carry the key to
that great lock? I doubt it and settle the question by lifting a smooth
stone near the arch. Underneath are the keys and Jean and I are shortly
on the other side of the great gateway with all the world, save the
old dog, locked out. How charming! No one to bother one with useless
tales of that of which they understand nothing, and full opportunity to
wander at will over this enchanted place. The old dog returns to his
slumbers before the door of a room where the custodian has evidently
made a home for herself as though to tell us that there at least
we must not enter. As for the rest, we may do as we desire. To his
decision we pay due respect and leave him to his slumbers.
The court of honour was once a splendid inclosure and its door-frames
and windows still hold masses of fine carvings. On the far side, the
donjon keep, a vast circular structure, rises more than one hundred
feet above us. Mounting a flight of broken stairs, one comes to the
ancient chapel, where the old custodian has erected an altar for
herself and adorned it with some flowers and a picture of our Lady.
These walls still show traces of painting and we find like traces in
many of the rooms as we gaze up into them through the places where the
floor used to be. The heavily carved chimney-places still retain their
positions, tier above tier; that in the great hall with its pent-house
roof could hold an ox. Reaching the battlements, we pass thence to the
donjon, and find in its top two prisons, secure enough for the Iron
Mask. In the floor of the lower one is an oubliette, through which,
dropping a lighted paper, we watch it float downward until it rests
far below, quite at the base of the tower one hundred feet beneath us.
Those who went that way in the old days never returned to describe
their experiences. This great tower holds nothing save those two
donjons on top and that awful empty space downward; black as midnight,
having no loopholes for any gleam of sunlight, though probably it
mattered not.
Public-domain text, read in full here on John Shaqi.
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