England -- Juvenile fiction; Fighter plane combat -- Juvenile fiction; War stories; World War, 1939-1945 -- Juvenile fiction
The young fellow, who had gone through all the horrors of the Battle of
Flanders and Dunkirk, was Scotch. He could do weird things with that
violin. With it alone he could make you believe that a score or more of
bagpipers were marching down the street. And when it came to that mellow
old Scotch song:
“Flow gently, Sweet Afton
Among thy green braes
Flow gently. I’ll sing thee
A song in thy praise.”
he could bring a happy tear to many a tired eye. So he was given a place
on the program, and weary Cherry sang a little less than before.
Other musicians wandered in. Where they all came from no one will ever
know. Next there came a cellist, then a drummer, two bass viols, two
clarinets, two more violins, a gypsy girl with tambourine and
castanets,—all these and half a dozen others wandered in. After that
they had an orchestra. There was not an “artist” in the hard and fast
meaning of the word among them all, but they could roll the barrel, set
Johnny loving, swing the chariot low, roll the old chariot along, and do
a hundred other songs dear to the hearts of the good common people of
old England and to many another who did not consider himself quite so
common.
All this gave Cherry a breathing spell now and then. But when the
members of the orchestra had each done his bit for just so long, there
would come calls from all down the subway:
“Cherry! Cherry! We want Cherry! We want the Singin’ Angel.”
The Singin’ Angel, that is what they came at last to call her. That was
because of Sunday nights, for on that night they left the Old Chariot at
home, put lovin’ Johnny to bed early, rolled the barrel far back in the
corner, and pushed “The Old Rugged Cross” right out in front.
No one seemed to mind. Indeed they appeared to love that hour of the
week best of all. In times such as this people cling to their religion.
One moment “Rock of Ages, Cleft for Me” would go rolling on and on from
end to end of the subway.
Some one in the orchestra would start “Throw Out The Lifeline to danger
frought men.”
Then Cherry in her strong young voice would sing:
“When all my trials and troubles are o’er
And I am safe on that beautiful shore
That will be glory, be glory for me.”
“Now!” she would cry. “Everybody sing!”
“Oh! That will be glory for me,
Glory for me, glory for me.”
Yes, religion seemed very real on these Sunday nights. On this
particular night, it was midnight when Cherry reached Lady Perkins’
home. She remembered it afterward, for at that very moment Big Ben was
gloriously booming the hour of twelve.
She had walked home alone. It was not far. She let herself in with her
latchkey. The “all clear” had sounded, so, feeling weary and happy all
in one, she stretched out on her bed fully dressed, and fell asleep.
Public-domain text, read in full here on John Shaqi.
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