Shall I stop beside this small bundle of whitening bones or shall I
turn my head away and pass on? Shall I allow you to stop with me in
our winter ramble and let you see the tragedy here in the flattened
meadow grass, or shall I hide from your eyes the dark, the bitter, the
tragic in the lives of the wild things out of doors?
I think it is best to hide nothing from you. Real love for nature is
largely sympathy with nature; and there can be no sympathy without
intimate and full understanding of the struggle and suffering in the
lives out of doors. There is a dark story in this little bundle of
bones. Do you wish to hear it? There is a fierce, cruel threat in the
growl of the winter wind. Do you wish to hear that? There is menace
and death in the shrill scream of the hawk. Do you wish to hear that?
Or do you wish to hear only the song of the robin? only the whisper of
the summer breeze? only the story of the life and love and joy of
things?
No, there are two sides to life--two sides to your life, the bright
and dark sides; two sides to the lives of all men, and to the lives of
all things. Summer is the bright side of Nature’s life; winter is the
dark side. Summer and winter are both needed to round out the life of
the year; so tears and laughter seem to be needed in our lives; joy
and sorrow, peace and suffering, rest and hardship--these, or
something like them, seem to be needed in the lesser lives of birds
and beasts to round out their experience and make them keen and
strong.
Happily, the pain and suffering in nature are largely hidden from us.
Wild things when stricken “turn their faces to the wall,” retreat,
slink silently away out of sight to be alone. They do not wish us to
know. But we do know, and we need to know, if we would enter into
their lives as a sharer in them; and if we would enter into and
understand the larger, wider, deeper life of which they, and we, and
all things, are a part.
You must pause with me above this little bundle of bones until I tell
you their story.
* * * * *
I had recognized the bones at once as the skeleton of a muskrat. But
it was something peculiar in the way they lay that had caused me to
pause. They seemed outstretched, as if composed by gentle hands, the
hands of sleep. They had not been flung down. The delicate ribs had
fallen in, but not a bone was broken nor displaced, not one showed the
splinter of shot, or the crack that might have been made by a steel
trap. No violence had been done them. They had been touched by nothing
rougher than the snow. Out into the hidden runway they had crept.
Death had passed by them here; but no one else in all the winter
months.
Public-domain text, read in full here on John Shaqi.
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