"It is Jack. Will reads all his fine articles to her, wakes her up at
nights to listen to some new poem, rushes away from the dinner table to
jot down what he calls 'an idea,' is always pointing out 'splendid
passages' to her, and keeps her working just like a slave copying his
manuscripts and cutting newspapers to pieces. Oh, it is just dreadful!"
"But she thoroughly enjoys it."
"Yes, that is such a shame. Will has quite spoiled her. Lucy used to be
real nice, a jolly, stylish girl. Before she was married she was
splendid company; now, you might just as well mope round with a book."
"Kitty, I'd promise upon my honor--at the altar, if you like--never to
bother you with anything I write; never to say a word about my
profession."
"No, no, sir! Then you would soon be finding some one else to bother,
perhaps some blonde, sentimental, intellectual 'friend.' What is the use
of turning a good-natured little thing like me into a hateful dog in the
manger? I am not naturally able to appreciate you, but if you were
_mine_, I should snarl and bark and bite at any other woman who was."
Jack liked this unchristian sentiment very much indeed. He squeezed
Kitty's hand and looked so gratefully into her bright face that she was
forced to pretend he had ruined her glove.
"I'll buy you boxes full, Kitty; and, darling, I am not very poor; I am
quite sure I could make plenty of money for you."
"Jack, I did not want to speak about money; because, if a girl does not
go into raptures about being willing to live on crusts and dress in
calicos for love, people say she's mercenary. Well, then, I am
mercenary. I want silk dresses and decent dinners and matinees, and I'm
fond of having things regular; it's a habit of mine to like them all the
time. Now I know literary people have spasms of riches, and then spasms
of poverty. Artists are just the same. I have tried poverty
occasionally, and found its uses less desirable than some people tell us
they are."
"Have you decided yet whom and what you will marry, Kitty?"
"No sarcasm, Jack. I shall marry the first good honest fellow that
loves me and has a steady business, and who will not take me every
summer to see views."
"To see views?"
"Yes. I am sick to death of fine scenery and mountains, 'scarped and
jagged and rifted,' and all other kinds. I've seen so many grand
landscapes, I never want to see another. I want to stay at the Branch or
the Springs, and have nice dresses and a hop every night. And you know
papa _will_ go to some lonely place, where all my toilettes are thrown
away, and where there is not a soul to speak to but famous men of one
kind or another."
Jack couldn't help laughing; but they were now among the little crush
that generally gathers in the vestibule of a theatre, and whatever he
meant to say was cut in two by a downright hearty salutation from some
third party.
"Why, Max, when did you get home?"
Public-domain text, read in full here on John Shaqi.
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