The tendinous part of the mind, so to speak, is more developed in
winter; the fleshy, in summer. I should say winter had given the bone
and sinew to Literature, summer the tissues and blood.
The simplicity of winter has a deep moral. The return of nature, after
such a career of splendor and prodigality, to habits so simple and
austere, is not lost upon either the head or the heart. It is the
philosopher coming back from the banquet and the wine to a cup of water
and a crust of bread.
And then this beautiful masquerade of the elements,--the novel
disguises our nearest friends put on! Here is another rain and another
dew, water that will not flow, nor spill, nor receive the taint of an
unclean vessel. And if we see truly, the same old beneficence and
willingness to serve lurk beneath all.
Look up at the miracle of the falling snow,--the air a dizzy maze of
whirling, eddying flakes, noiselessly transforming the world, the
exquisite crystals dropping in ditch and gutter, and disguising in the
same suit of spotless livery all objects upon which they fall. How
novel and fine the first drifts! The old, dilapidated fence is suddenly
set off with the most fantastic ruffles, scalloped and fluted after an
unheard-of fashion! Looking down a long line of decrepit stone wall, in
the trimming of which the wind had fairly run riot, I saw, as for the
first time, what a severe yet master artist old Winter is. Ah, a severe
artist! How stern the woods look, dark and cold and as rigid against
the horizon as iron!
All life and action upon the snow have an added emphasis and
significance. Every expression is underscored. Summer has few finer
pictures than this winter one of the farmer foddering his cattle from a
stack upon the clean snow,--the movement, the sharply defined figures,
the great green flakes of hay, the long file of patient cows, the
advance just arriving and pressing eagerly for the choicest
morsels,--and the bounty and providence it suggests. Or the chopper in
the woods,--the prostrate tree, the white new chips scattered about,
his easy triumph over the cold, his coat hanging to a limb, and the
clear, sharp ring of his axe. The woods are rigid and tense, keyed up
by the frost, and resound like a stringed instrument. Or the
road-breakers, sallying forth with oxen and sleds in the still, white
world, the day after the storm, to restore the lost track and demolish
the beleaguering drifts.
All sounds are sharper in winter; the air transmits better. At night I
hear more distinctly the steady roar of the North Mountain. In summer
it is a sort of complacent purr, as the breezes stroke down its sides;
but in winter always the same low, sullen growl.
Public-domain text, read in full here on John Shaqi.
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