To-day, October 21, I found the air in the bushy fields and lanes under
the woods loaded with the perfume of the witch-hazel,--a sweetish,
sickening odor. With the blooming of this bush, Nature says,
"Positively the last." It is a kind of birth in death, of spring in
fall, that impresses one as a little uncanny. All trees and shrubs form
their flower-buds in the fall, and keep the secret till spring. How
comes the witch-hazel to be the one exception, and to celebrate its
floral nuptials on the funeral day of its foliage? No doubt it will be
found that the spirit of some lovelorn squaw has passed into this bush,
and that this is why it blooms in the Indian summer rather than in the
white man's spring.
But it makes the floral series of the woods complete. Between it and
the shad-blow of earliest spring lies the mountain of bloom; the latter
at the base on one side, this at the base on the other, with the
chestnut blossoms at the top in midsummer.
A peculiar feature of our fall may sometimes be seen of a clear
afternoon late in the season. Looking athwart the fields under the
sinking sun, the ground appears covered with a shining veil of
gossamer. A fairy net, invisible at midday and which the position of
the sun now reveals, rests upon the stubble and upon the spears of
grass, covering acres in extent,--the work of innumerable little
spiders. The cattle walk through it, but do not seem to break it.
Perhaps a fly would make his mark upon it. At the same time, stretching
from the tops of the trees, or from the top of a stake in the fence,
and leading off toward the sky, may be seen the cables of the flying
spider,--a fairy bridge from the visible to the invisible. Occasionally
seen against a deep mass of shadow, and perhaps enlarged by clinging
particles of dust, they show quite plainly and sag down like a
stretched rope, or sway and undulate like a hawser in the tide.
They recall a verse of our rugged poet, Walt Whitman:--
"A noiseless patient spider,
I mark'd where, in a little promontory, it stood isolated:
Mark'd how, to explore the vacant, vast surrounding,
It launch'd forth filament, filament, filament out of itself;
Ever unreeling them--ever tireless spreading them.
"And you, O my soul, where you stand,
Surrounded, surrounded, in measureless oceans of space,
Ceaselessly musing, venturing, throwing,--
Seeking the spheres to connect them;
Till the bridge you will need be formed--till the ductile
anchor hold;
Till the gossamer thread you fling, catch somewhere, O my
soul."
Public-domain text, read in full here on John Shaqi.
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