On the Tuesday following, the half-inspired speaker came. I was called down into the room where he was, and went half-hoping, half-afraid. He received me very graciously, and I listened for a long time without uttering a word. I did not suffer in his opinion by my silence. 'For those two hours,' he afterwards was pleased to say, 'he was conversing with William Hazlitt's forehead!' His appearance was different from what I had anticipated from seeing him before. At a distance, and in the dim light of the chapel, there was to me a strange wildness in his aspect, a dusky obscurity, and I thought him pitted with the small-pox. His complexion was at that time clear, and even bright-- 'As are the children of yon azure sheen.' His forehead was broad and high, light as if built of ivory, with large projecting eyebrows, and his eyes rolling beneath them, like a sea with darkened lustre. 'A certain tender bloom his face o'erspread,' a purple tinge as we see it in the pale thoughtful complexions of the Spanish portrait-painters, Murillo and Valasquez. His mouth was gross, voluptuous, open, eloquent; his chin good-humoured and round; but his nose, the rudder of the face, the index of the will, was small, feeble, nothing--like what he has done. It might seem that the genius of his face as from a height surveyed and projected him (with sufficient capacity and huge aspiration) into the world unknown of thought and imagination, with nothing to support or guide his veering purpose, as if Columbus had launched his adventurous course for the New World in a scallop, without oars or compass. So, at least, I comment on it after the event. Coleridge, in his person, was rather above the common size, inclining to the corpulent, or like Lord Hamlet, 'somewhat fat and pursy.' His hair (now, alas! grey) was then black and glossy as the raven's, and fell in smooth masses over his forehead. This long pendulous hair is peculiar to enthusiasts, to those whose minds tend heavenward; and is traditionally inseparable (though of a different colour) from the pictures of Christ. It ought to belong, as a character, to all who preach _Christ crucified_, and Coleridge was at that time one of those!