Wisconsin in Story and Song;: Selections from the Prose and Poetry of Badger State Writers
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Wisconsin in Story and Song;: Selections from the Prose and Poetry of Badger State Writers
American literature -- Wisconsin; Wisconsin -- Literary collections
A distant barking note makes you start. There is a fox squirrel over
yonder somewhere, beyond the ruins of the old arch. You strain your
attention toward the sound. Billy sits bolt upright, with round eyes,
questioning ears, and suspended breath.
But just as you are thinking of getting up, a nut drops with a thump
on the log beside you and bounds lightly into the leaves at your feet.
You know what that means! You look up instantly and catch just a
glimpse of a sweeping foxy tail as it vanishes along a big branch and
around the thick stem of a tree. He goes up forty or fifty feet, and
then, far out on the big oak branch, lies close to the bark, out of
sight.
Billy whines uneasily; he shivers with excitement. You say: "Sit
still, Billy!"
There is only the least bit of the foxy tail visible. You tread softly
to one side and another, slowly circle the tree, and all the while the
owner of the tail subtly shifts his position so that you always just
fail to get a shot.
Finally, you resort to stratagem; you pick up a nut and throw it with
all your might to the other side of the tree. He hears it fall, and,
suddenly suspicious, shifts to your side of the branch. But you are
not quick enough; by the time you have raised the gun, he has become
satisfied that you are the greater danger of the two, and has shifted
back to safety.
And now you resort to more elaborate stratagem. You say: "Sit down,
Billy!" and Billy obeys, keeping his eye on you, and dropping his ears
from time to time, as he catches your glance, in token of good-will.
You circle the big tree again, and as you go the tail shifts
constantly.
Finally, when you are opposite Billy, you raise the gun with careful
calculation. You call out quietly but sharply to your ally: "Speak,
Billy, quick!"
Billy is tense with excitement at sight of the raised gun. He speaks
out sharply, at the same time giving a couple of little leaps. The
squirrel shifts again to your side, suddenly.
And now comes your opportunity! As he sits there a moment, his
attention divided between you and the new alarm, the breech-loader
belches its charge. A brownish-red body with waving tail comes
headlong to the ground with a crash among the leaves, which rustle and
crackle for a moment or two at your feet as you watch the blind kicks
of the death struggle. You pick him up, with no very great eagerness,
and go on your way--regretfully, for you are enjoying the life of the
Woods, and are enough of a philosopher and sentimentalist to wonder
what, after all, is your superior right to the enjoyment, and whether
the contribution to the sum total of happiness in the universe through
you is enough to compensate it for the loss through the squirrel.
You ask Billy about it and get no help. He simply says that whatever
you think best is bound to be all right, and leads the way toward the
old arch.
WILLIAM ELLERY LEONARD
Public-domain text, read in full here on John Shaqi.
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