William Ellery Leonard was born in New Jersey in 1876. He has been a professor of English in the University of Wisconsin only since 1909, so he is not, as yet, so closely connected with the state in the thought of the alumni of the University as are most of the men whose works have just been discussed and illustrated. But if what he has produced may fairly be taken as an earnest of his future work, his name will be one which all lovers of our University will be proud to associate with that institution. One needs read scarcely more than a paragraph at almost any point in his published works to realize that Mr. Leonard is a man of keen and kindly interest in all things that he hears and sees, and that he has traveled and studied and lived widely and wisely. He has published several volumes, both of poems and prose,--notable among them being "Sonnets and Poems," "The Poet of Galilee," "Aesop and Hyssop," "The Vaunt of Man and Other Poems," and "Glory of the Morning." The selections given are taken from the last two volumes mentioned. One acquainted with modern English poetry may sense a marked likeness between Mr. Leonard's poems and those of Swinburne, though the former says he is not conscious of any such resemblance. There is a warmth of passion, a fluid quality in the rhythm, markedly like those elements in the great English poet. The selection from "Glory of the Morning" here given begins at that point in the play where Half Moon, the Chevalier, the white trapper, comes back to his Indian wife to bid her farewell and to take their two children with him to his home in France. The reader will feel, even in this brief extract, the sweep toward a climax of emotion, and will be impelled to read the whole play at his first opportunity. (One of the most interesting features of the editorial work of this volume has been the adjustment of the choice of selections respectively of the editors and authors. The editors' choice of the poems from Mr. Leonard's volume, "The Vaunt of Man," was "Love Afar"; the author, on the other hand, tells us that he thought so little of this poem that he even considered omitting it from the volume. His preference is "A Dedication." What does the reader say?) GLORY OF THE MORNING Copyright, 1912, by the author. The Chevalier: I will take care of the children. They are both young. They can learn. Glory of the Morning: They can learn? The Chevalier: Oak Leaf is already more than half a white girl; and Red Wing is half white in blood, if not in manners--_ca ira_. Glory of the Morning (Beginning to realize): No, no. They are mine! The Chevalier (Reaching out his arms to take them): No. Glory of the Morning: They are mine! They are mine! The Chevalier: The Great King will give them presents. Glory of the Morning: No, no!