Wise Saws and Modern Instances, Volume 2 (of 2)Cooper, Thomas
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Wise Saws and Modern Instances, Volume 2 (of 2)
Cooper, Thomas
English fiction -- 19th century; Short stories, English
The _if_ shook Ingram a little; but he, next day, took his best
manuscript, and left it at the M.P.'s house, for _he_ was "_not_ at
home," like the other literary man, although Ingram really thought he
heard his voice, when the servant took in the name of the caller; but
the valet said, "Not at home, sir," when he returned, and so Ingram left
the manuscript, and called again next day. To make the story as short as
possible, he called fifteen times during the four weeks, but had only
one more interview with the literary M.P. during that term; and this was
the product of it: the M.P. assured Ingram that his manuscript possessed
merit, much merit; that he had left it with his own publisher; and
begged Ingram would call again in a few more days, and he would tell him
whether the publisher received it.
This seemed to Ingram Wilson a very solid foundation for most
magnificent hopes. How could a publisher refuse a manuscript which was
so highly recommended? and how could the M.P. fail, very highly, to
recommend what he himself said "possessed merit, much merit?" Such were
Ingram's questions; and he was a little shocked to see his friend, the
kind gentleman, shake his head and give a silent look, when they were
proposed in the gentleman's hearing.
Another month passed, and the dream was dissipated! Ingram was always
answered, "Not at home," when he called at the M.P.'s: his friend, the
kind gentleman, called at the publisher's, and learned, most
unequivocally, that the publisher had never had such a manuscript
presented to him, either by the M.P. or any other person: Ingram wrote to
the M.P., and received his manuscript by a messenger, for an answer; and
was only prevented from writing back to tell the M.P. he was a rascal,
by the advice, or, rather, _authority_, for it amounted to that, of his
friend, the kind gentleman.
And now, Ingram, spirit-broken and humbled with what he conceived to be
his sanguine and foundationless folly, vowed to his friend that he would
never believe promises in future, and would copy at the Museum, or "do
any thing" as a means of obtaining a mere livelihood, till he could
finish one of his works entirely, and try a publisher by his own
application, and solely on the merits of his production. The gentleman
cheered the youth, as well as he was able, but Ingram drooped from that
time.
A winter of heartache, inward grief, mortified pride, colds and coughs,
and, eventually, consumption, succeeded. And then the sweet face of his
beloved faded; and when the spring returned, it did not bring back the
roses to her cheek.
Public-domain text, read in full here on John Shaqi.
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