Wit and Humor of the Bible: A Literary StudyShutter, Marion D. (Marion Daniel)
Religion
Wit and Humor of the Bible: A Literary Study
Shutter, Marion D. (Marion Daniel)
Bible as literature
Isaiah rebukes those "who call evil good and good evil; who put darkness
for light and light for darkness; who put bitter for sweet and sweet for
bitter,"--thus confusing moral distinctions. This is the same sort of
sophistry that Addison exposes, in his gentle way, by proposing the
following form of agreement: "We whose names are hereunto subscribed, do
solemnly declare that we do in our consciences believe that two and two
make four; and that we shall adjudge any man whatever to be our enemy who
endeavors to persuade us to the contrary. We are likewise ready to
maintain, with the hazard of all that is near and dear to us, that six is
less than seven in all times and at all places; and that ten will not be
more three years hence than it is at present. We do also firmly declare
that it is our resolution as long as we live to call Black black and White
white. _And we shall upon all occasions oppose such persons that upon any
day of the year shall call Black white or White black, with the utmost of
our lives and fortunes._" The rebuke, in both cases, is the same.
IV.
What do these illustrations show? "That the Bible is, on the whole, a
humorous book? Far from it. That religion is a humorous subject? that we
are to throw all the wit we can into the treatment of it? No. But they
show that the sense of the ludicrous is put into man by his Maker; that it
has its uses; that we are not to be ashamed of it;" that we are not to be
horrified at the mention of it in connection with things we deem most
sacred. They show that the literature of the Bible contains the same
elements that in any other literature we call Wit and Humor. They show us,
also, that wit and humor do not of necessity produce hearty laughter or
boisterous mirth; not always do they manifest themselves in "gibes and
gambols and flashes of merriment that set the table in a roar." Those,
therefore, who may expect something in these chapters that will shake
one's sides with jollity, or make him "laugh till his face be like a wet
cloak ill laid up," will doubtless be disappointed. Wit and humor often
lie too deep for laughter, as pathos often lies too deep for tears.
No attempt is here made at exact definition of the two words that are
prominent in the general title of this book. Perhaps after they have
passed through their final analysis we shall not be any wiser than before
we cast them into the alembic. Barrow says of Humor: "It is a thing so
versatile and multiform that it seems no less hard to settle a clear and
certain notion thereof, than to make a portrait of Proteus or to define
the figure of the fleeting air." We usually include under the general term
all forms of pleasantry, grotesqueness, drollery, sarcasm, irony,
ridicule. Our common acceptation shall serve us in these studies.
Public-domain text, read in full here on John Shaqi.
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