_A similar comical story is the one which tells of a blacksmith in a Hungarian village who has committed a crime punishable by death; the bürgomaster, however, decreed that not the smith but a tailor was to be hanged, as there were two tailors in the village but only one blacksmith, and the crime had to be expiated._ Such a displacement of guilt from one person to another naturally contradicts all laws of conscious logic, but in no ways the mental trends of the unconscious. I am in doubt whether to call this story comic, and still I put the story of the kettle among the witticisms. Now I admit that it is far more correct to designate the latter as comic rather than witty. But now I understand how it happens that my feelings, usually so reliable, can leave me in the lurch as to whether this story be comic or witty. The case in which I cannot come to a conclusion through my feelings is the one in which the comic results through the uncovering of modes of thought which exclusively belong to the unconscious. A story of that kind can be comic and witty at the same time; but it will impress me as being witty even if it be only comic, because the use of the faulty thinking of the unconscious reminds me of wit, just as in the case of the arrangements for the uncovering of the hidden comic discussed before (p. 325). I must lay great stress upon making clear this most delicate point of my analysis, namely, the relation of wit to the comic, and will therefore supplement what has been said with some negative statements. First of all, I call attention to the fact that the case of the meeting of wit and comic treated here (p. 327) is not identical with the preceding one. I grant it is a fine distinction, but it can be drawn with certainty. In the preceding case the comic originated from the uncovering of the psychic automatism. This is in no way peculiar to the unconscious alone and it does not at all play a conspicuous part in the technique of wit. Unmasking appears only accidentally in relation with wit, in that it serves another technique of wit, namely, representation through the opposite. But in the case of giving free play to unconscious ways of thinking the union of wit and comic is an essential one, because the same method which is used by the first person in wit as the technique of releasing pleasure will naturally produce comic pleasure in the third person.