Ridicule of the suitor as seen in these examples in which the agent quite correctly assumes the rôle of superiority, is much more clearly depicted in other examples. The more pointed the stories, the less wit-technique they contain; they are, as it were, merely border-line cases of wit with whose technique they have only the façade-formation in common. However, in view of the same tendency and the concealment of the same behind the façade, they obtain the full effect of wit. The poverty of technical means makes it clear also that many witticisms of that kind cannot dispense with the comic element of jargon which acts similarly to wit-technique without great sacrifices. The following is such a story, which with all the force of tendency-wit obviates all traces of that technique. _The agent asks: “What are you looking for in your bride?” The reply is: “She must be pretty, she must be rich, and she must be cultured.” “Very well,” was the agent’s rejoinder. “But what you want will make three matches.”_ Here the reproach is no longer embodied in wit, but is made directly to the man. In all the preceding examples the veiled aggression was still directed against persons; in the marriage-agent jokes it is directed against all the parties involved in the betrothal—the bridegroom, bride, and her parents. The object of attack by wit may equally well be institutions, persons, in so far as they may act as agents of these, moral or religious precepts, or even philosophies of life which enjoy so much respect that they can be challenged in no other way than under the guise of a witticism, and one that is veiled by a façade at that. No matter how few the themes upon which tendency-wit may play, its forms and investments are manifold. I believe that we shall do well to designate this species of tendency-wit by a special name. To decide what name will be appropriate is possible only after analyzing a few examples of this kind. _The Witty Cynicism_