Wit and its relation to the unconsciousFreud, Sigmund
Science
Wit and its relation to the unconscious
Freud, Sigmund
Subconsciousness; Wit and humor -- Psychological aspects
I believe that whatever the motive which actuated the child when it
began such playings, in its further development the child indulges in
them fully conscious that they are nonsensical and derives pleasure from
this stimulus which is interdicted by reason. It now makes use of play
in order to withdraw from the pressure of critical reason. More
powerful, however, are the restrictions which must develop in education
along the lines of right thinking and in the separation of reality from
fiction, and it is for this reason that the resistance against the
pressures of thinking and reality is far-reaching and persistent; even
the phenomena of phantasy formation come under this point of view. The
power of reason usually grows so strong during the later part of
childhood and during that period of education which extends over the age
of puberty, that the pleasure in “freed nonsense” rarely dares manifest
itself. One fears to utter nonsense; but it seems to me that the
inclination characteristic of boys to act in a contradictory and
inexpedient manner is a direct outcome of this pleasure in nonsense. In
pathological cases one often sees this tendency so accentuated that it
again controls the speeches and answers of the pupils. In the case of
some college students who merged into neuroses I could convince myself
that the unconscious pleasure derived from the nonsense produced by them
is just as much responsible for their mistakes as their actual
ignorance.
_Reproduction of Old Liberties_
The student does not give up his demonstrations against the pressures of
thinking and reality whose domination becomes unceasingly intolerant and
unrestricted. A good part of the tendency of students to skylarking is
responsible for this reaction. Man is an “untiring pleasure seeker”—I
can no longer recall which author coined this happy expression—and finds
it extremely difficult to renounce pleasure once experienced. With the
hilarious nonsense of “sprees” (_Bierschwefel_), college cries, and
songs, the student attempts to preserve that pleasure which results from
freedom of thought, a freedom of which he is more and more deprived
through scholastic discipline. Even much later, when as a mature man he
meets with others at scientific congresses and class reunions and feels
himself a student again, he must read at the end of the session the
“_Kneipzeitung_,” or the comic college paper, which distorts the newly
gained knowledge into the nonsensical and thus compensates him for the
newly added mental inhibitions.
Public-domain text, read in full here on John Shaqi.
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