"We must be patient; but I cannot choose but weep to think they should
lay him in the cold ground. My brother shall know of it;" and on the
strength of that she culls out rosemary for him.
"They bore him bare-fac'd on the bier,
And in his grave rain'd many a tear;
Fare you well, my dove!" says this loyal daughter. We echo it, but with
a difference: she is this dove to whom we bid farewell. For already "in
the distance one white arm is seen above the tide," clutching at the
branches of a willow growing askant a brook; and our pulse premeditates
the funeral strain that goes graveward while her Prince is looking "at
the skull as though Death had written on it the history of man."
Poor maiden, to be churlishly suspected of making an end of herself,
when we know that "an envious sliver broke" and let her into that
coffin strewn with flowers,--the tributes, not to womanhood in its
capacity to resolve, to outlive destiny, to outdo circumstance with
patience, to contrive escapes from disaster, but simply "sweets to the
sweet," turned as they were to immortal amaranths when Hamlet's breath
endowed them:--
"I loved Ophelia: forty thousand brothers
Could not, with all their quantity of love,
Make up my sum."
Then, too late for her, but not for us, to atone for her chariness of
language and action, all her gifted simplicity is revealed to justify
the silent past and to ennoble Hamlet for his heart's choice of such an
unambitious soul. What freighted her might have kept Hamlet riding on
a steady keel upon any ocean that was not phantom-haunted. Death casts
up her freight underneath the cliffs of this stern tragedy, and we are
wreckers all along the shore to recover strays from the sail that love
had chartered.
Public-domain text, read in full here on John Shaqi.
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