"The web of our life is of a mingled yarn, good and ill together; our
virtues would be proud if our faults whipped them not: and our crimes
would despair if they were not cherished by our virtues."[3]
With that for our text, let us approach some characters of Shakspeare.
* * * * *
When the requisition of the English government for the surrender of
Mason and Slidell in the Trent affair was made through Lord Lyons,
Judge Hoar rode out to see an old Concord farmer whom he highly
respected, to tell him the news, which he did with considerable
excitement. The farmer listened coolly, and said, "Well, if those
fellows are really going in for the rebels and slavery, you tell Lord
Lyons he may have my copy of Shakspeare."
But I suspect that New England farmers are content to be patriotic
without cultivating the poet's page. Shakspeare may be everywhere
extensively owned without being mentally possessed. We need a
Shakspearian piety. Formerly the Bible and a copy of Josephus or some
protracted commentary stood within reach of the household, and the
leaves were turned by Religion herself who found her own meaning in
every text and the meaning inexhaustible. If the volume of Shakspeare
could attract a sympathy so loyal and grave as that, Religion would
find in him, too, her counterpart. But we do not read Shakspeare yet in
spiritual faith, as Bibles are pondered for their consecrated sense.
Literature swarms with books of criticism which exhaust invention for
theories of his life, profession, and intent; and the various editions
of his works are liberally patronized. But where are the devotees
whose morning orison is the wonderful liturgy of his imagination, with
responses that are intoned by human nature itself, the acknowledgment
that mind and heart are surprised by their own detection, yet with as
little fear and as much confidence as we repay to omniscience? This is
rare, this persistent recurrence of the soul to his enlightening, this
praying before the shrine of every verse in which a thought, a passion,
a humor, a delight, a beauty, is the saint. Must we have, then,
professorships of Shakspeare to instruct the youth and inculcate this
natural piety? Rather let every household accuse its own indifference,
and endow its hearts to make him more widely felt and understood. For
there are sweetness and light, wisdom and conscience and self-knowledge
slumbering unmined below those covers.
FOOTNOTES:
[Footnote 3: French Gentleman in "All's Well that Ends Well," iv. 3.]
DOGBERRY, MALVOLIO,
TROILUS AND CRESSIDA (AJAX),
BOTTOM, TOUCHSTONE.
DOGBERRY.
Public-domain text, read in full here on John Shaqi.
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