The American would be quite capable of composing narratives in the
Eastern vein, as in that series of fables called the Hitopadesa, which
attributed to animals the passions and motives of men. The famous
mediæval poem of "Reynard the Fox" presumes the same intelligence. Here
is a specimen, whose slight flavor of coarseness is lost and forgotten
in the genius of its climax. Just as a traveller was writing his name
on the register of a Leavenworth hotel, a certain insect took its way
across the page. Laying down the pen, the man remarked, "I've been bled
by St. Joe fleas, bitten by Kansas City spiders, and interviewed by
Fort Scott gray-backs; but hang me if I was ever in a place where these
critters looked over the register to take the number of your room."
A Western editor, culminating in his description of a tornado, said,
"In short, it was a wind that just sat up on its hind legs and howled."
Some of the Texan cows have been lately described as so thin that it
takes two men to see one of them. The men stand back to back, so that
one says, "Here she comes!" and the other cries, "There she goes!" Thus
between them both the cow is seen.
All these American instances are conceived in the pure Shakspearian
blending of the understanding and the imagination. But one more of
them, perhaps the most artistically perfect of all, must suffice. A
coachman, driving up some mountains in Vermont, was asked by an outside
passenger if they were as steep on the other side also. "Steep! Chain
lightnin' couldn't go down 'em witheout the breechin' on!"
We have seen in what the comedy of Falstaff's character consists. Its
humor lies in the tolerance which his inexhaustible wile procures for
his vices. We are all the time reconciled to his behavior, though in
anybody else it would be outrageous,--"most tolerable and not to be
borne." But such a Noachian deluge of animal spirits would carry away a
bulkier man than he. It is love of fun more than villainous inclination
which leads him into many of his scrapes. When he is moralizing upon
his course of life, and half-earnestly complaining that the Prince had
been the ruin of him, the latter has only to interrupt this strain
with, "Where shall we take a purse to-morrow, Jack?" when he drowns
his megrims in the jolliest laugh, and draws his belt another hole for
an adventure. The midnight frolic, with sack and supper afterwards,
attracts him quite as much as the prospect of checking the consumption
of his purse. He is quite conscious of a mercurial disposition that
keeps the door ajar for every temptation. There are intervals of
self-upbraiding--or are they seedy forenoons before the sherris sets in
to wet his coast?--when he wishes the Prince were not such a rascally,
fascinating companion. And we ought to put to Falstaff's credit the
fact that to be hail-fellow with a prince has unsettled many a sterner
virtue; and he says flatly to him that he wishes they knew "where a
commodity of good names were to be bought."
Public-domain text, read in full here on John Shaqi.
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