But though Hamlet thinks that he is capable of decision, he is so only
when the case presented to his meditation is so direct and plain that
no chance for a fencing-match of motives is involved. The conviction
which justifies his prophetic soul half disarms it. When the uncle is
at his prayers, Hamlet might "do it, pat;" but the opportunity is too
favorable: it paralyzes a mind of his consideration. He cannot bear to
rush upon a man's back whose face is bent towards an act that has a
savor of salvation in it. But when Polonius was concealed behind the
arras and cried out, Hamlet impulsively utilized the moment of hatred
of the supposed eavesdropper; but, finding he had killed the wrong man,
his swift action passes into that impetuous arraignment of his mother
which follows, and thus expends itself upon the nearest object. He took
Polonius for his better, but his resolve is "sicklied o'er" by this
mistake; and an almost blunted purpose proves seasonable armor for the
King. People of far less nice reflection than Hamlet had would feel
hampered by such an accident. It is in the nature of all of us to find
a passion grow cool beneath the drift of an untoward cloud; so that I
cannot conceive that Shakspeare meant to develop the whole tragedy out
of an over-scrupulosity of speculation. The ghost himself, whose latest
visitation is but to whet Hamlet's revenge, again diverts him from
that point by bidding him turn and look where amazement sits upon his
mother:--
"Oh, step between her and her fighting soul!
Speak to her, Hamlet."
And an arrowy current from a long accumulating heart sweeps through the
midnight hours. Then, by the light of the succeeding day, we observe
that Hamlet's mind has recovered its strain of irony: it passes for the
flightiness that gets him despatched to England, where all the people
are as mad as he. But Hamlet's nerves, though delicately spun, are
spun of some toughness that never snaps nor ravels. His pulse "doth
temperately keep time, and makes as healthful music" as any man's.
Throughout the play, a refined superiority is the keynote of his
character. The "heavy-headed revel" of the Danes seems to him a custom
"more honored in the breach than the observance," though he is to
the manner born and has a head not easily overthrown. He says to his
fellow-students, "We'll teach you to drink deep ere you depart." But he
keeps himself aloof from contracting a habit. The same speech contains
traces of the observation exercised by a soul that is sustained by the
sound pith of virtue. It often chances, he says, that one vicious mole
of nature is the fly in the ointment of the apothecary, and undoes all
the noble substance. His tendency to speculate upon suicide belongs
to a mind in which conscience is so supreme and strong that its ideal
makes life scarcely tolerable. But there is no feeble whimper in the
tone, nor when his friends are trying to dissuade him from following
the ghost; he routs them and all our cowardice at once:
Public-domain text, read in full here on John Shaqi.
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