Has the bloom been rubbed from them, and their perfume lost? Then, says
the self-respecting maid, tearing the presents by bleeding roots out of
the heart where they had lodged to fructify, take them again,
"For to the noble mind
Rich gifts wax poor, when givers prove unkind."
"I did love you once," he says. "Indeed, my lord, you made me believe
so." Hamlet is enraged at his own love, and appears to have discarded
it, for that too may smile and be a villain, or hers may. "You should
not have believed me: for virtue cannot so inoculate our old stock, but
we shall relish of it." That is to say, if I had felt true love grafted
on my stem I should have received and imparted its flavor of sincerity.
But nothing is sincere: "I loved you not."
Hamlet's observation of human nature had furnished him with elements
which only needed provocation to develop into this uncompromising
irony. His mother, married to that satyr of an uncle,
"Or ere those shoes were old,
With which she follow'd my poor father's body,"
might well cast a slur upon the sex in his opinion, and prompt the
text which cynics use, "Frailty, thy name is woman,"--all but Ophelia:
it does not include her until all life's illusions vanished with the
ghost. Then she would do well not to walk in the sun, and would be
safest in a nunnery.
Previous to that, he had dispatched a missive to her, which is commonly
supposed to have been written on purpose to foster the notion that
he was mad. But its tone does not seem to me to have been rightly
interpreted. It begins in the style of Pistol: "To the celestial, and
my soul's idol, the most beautified Ophelia." Then comes a verse fit
for a valentine,--
"Doubt thou the stars are fire,
Doubt that the sun doth move;
Doubt truth to be a liar,
But never doubt I love."
So far the mocking spirit of his irony does not fail him. But the mood
changes, for this was written just after the scene in Ophelia's chamber
when he seemed to bid her an eternal farewell. Remembering this, he
breaks the tone and adds, "O dear Ophelia! I am ill at these numbers: I
have not art to reckon my groans; but that I love thee best, oh! most
best, believe it." So with impetuous emphasis he confessed afterward
upon Ophelia's grave. Nothing could more precisely convey to us his
mental condition than this mixture of moods.
Public-domain text, read in full here on John Shaqi.
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