With Methuen's Column on an Ambulance TrainBennett, E. N. (Ernest Nathaniel), Sir
History
With Methuen's Column on an Ambulance Train
Bennett, E. N. (Ernest Nathaniel), Sir
Red Cross and Red Crescent; South African War, 1899-1902 -- Hospitals, charities, etc.
After various toasts--the Queen, our General, Absent Friends and so
on--several comrades from other corps dropped in and every one was
called upon for a song. It is curious to find the extraordinary
popularity amongst soldiers of lugubrious and doleful songs. The
majority of our songs at that Christmas dinner dealt with graves and the
flowers that grew upon them, on the death of soldiers and the grief of
parents. One song, I remember, was almost ludicrously sad. It told how
a young soldier on active service in the Sudan or some other distant
region hears, apparently by telepathic means, that his mother--the
conventional grey-haired mother--is in some distress. The soldier at
once, without any attempt to secure leave of absence, sets out for
"home" on foot. He is brought back, and, as the excuse about his mother
is very naturally discredited, the deserter is sentenced to be shot.
Just as his lifeless body falls back riddled with bullets the mother
arrives--how, it is not explained--so, as the refrain has it, "The
Pardon comes too late". There were also several pauses in the
conversation for "solos from the band," to wit, a flute and a fiddle.
After dismantling the marquee and dinnertable we started through the
darkness for Modder River. We had thoroughly enjoyed our Christmas fare,
and K----, a Scotchman, attempted with some success to perform a
sword-dance on two crossed sticks, and when we pulled up at some station
with a Dutch name his fervid patriotism broke loose in an attempt to
address the people on the platform, whom he apostrophised as "rebels"
and threatened with dire vengeance. Our cook was equal to the occasion.
He dragged K---- back and apologised to the aggrieved colonists,
explaining--by a pious fraud--that he was K----'s father and so
responsible for bringing him out that evening. Our gleemen now stepped
into the breach with "Ye Banks and Braes," and we left the station amid
cheers.
Another of my friends under the excitement of song and mirth frequently
clutched my arm and pointed to imaginary batches of Dutchmen standing
suspiciously near the line and presumably intent on wrecking the train.
These were usually prickly-pear bushes. When we approached Modder River
he exclaimed that we were now within range of the Boer guns, and
accordingly pulled up the windows as a sort of protection against shells
and bullets.
Public-domain text, read in full here on John Shaqi.
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