Secrecy is the essence of sapping. The army does not like talking about
its mines. You will never find in an official _communiqué_ anything
but the vaguest indication as to the region in which “we made a sap,
laid a mine, and destroyed the enemy’s position.” An important branch
of sapping and mining is the listening for the sound of the enemy’s
subterranean operations in special “listening galleries” running out at
intervals from the main sap. A precise indication of the locality where
a mine was exploded, or rather of the trench from which the shaft of
the sap was sunk, might not only intimate to the enemy that our sappers
and miners were active in that particular sector, but might give him
valuable assistance in testing the efficacy of any special apparatus
or means he employs for listening underground. As far as human
foresight may judge, this book will appear before the war has reached
its conclusion, and therefore I must refrain, as in the case of much
else I should like to write, but may not under the eye of my friend
the Censor, who will scan these pages, from enlarging on the splendid
daring, the amazing resourcefulness, and the inexhaustible endurance of
our sappers and miners in their subterranean galleries.
I went down one of our mines one night. The proceeding was irregular,
I believe, and if I had applied for permission through the official
channel I make no doubt that it would have been refused. Incidentally,
I was nearly shot on emerging, but that is another story. I was
spending the night in our trenches, and in the course of an
after-dinner stroll my host, the Captain in command of this particular
section, asked me if I would care to see “our mine.” Considerations of
the Censorship impel me to abridge what follows up to the moment when
I found myself in a square, greasy gallery, with clay walls propped up
by timber baulks leading straight out in the direction of the German
trenches. Guttering candles stuck on the baulks at intervals faintly lit
up as strange a scene as I have witnessed in this war.
Public-domain text, read in full here on John Shaqi.
Reviews
Reviews
No reviews yet
Be the first to share your thoughts on this work.
Join the Discussion
Join the discussion
Sign in to leave a comment or review.
Sign InorCreate an account