With the Empress Dowager of ChinaCarl, Katharine A. (Katharine Augusta)
History
With the Empress Dowager of China
Carl, Katharine A. (Katharine Augusta)
China -- Court and courtiers; Cixi, Empress dowager of China, 1835-1908; Empresses -- China -- Biography
The kow-tow (pronounced ker-toe and meaning literally to bow the head)
is used as a form of thanks, and is not a manner of greeting. The
actors kow-tow to Their Majesties at the beginning and end of each
performance at the Theater, first to thank for the honor they are to
receive in being allowed to act before them, and at the end to thank
for the privilege granted. The officials “bow the head” to thank for
an Audience or any favor or gift they have received or are to receive
from Their Majesties. The kow-tow is not only made by people at the
Palace and at Imperial Audiences: it is sometimes used by equals to
each other as a proper manner of thanking for some great favor. To make
the kow-tow, the person kneels three times and each time bows his head
three times, touching the ground with it. The kow-tow could not be made
by a foreigner without looking most awkward and appearing most servile,
but the Chinese do it with dignity, and it is neither ungraceful nor
degrading-looking. It is a time-honored manner of giving thanks,
a Chinese tradition surviving from a time when the courtiers were
perhaps like slaves, but at present it does not imply any slave-like
inferiority on the part of him who performs it.
CHAPTER XVII
THE SUMMER PALACE AND ITS GROUNDS
The Summer Palace, the Empress Dowager’s favorite residence, is
really a superb domain. Its naturally picturesque situation among the
beautiful Western Hills, sixteen miles from Peking, has been improved
wherever possible, by the devices of art. The many buildings that
constitute an Oriental Palace have been most picturesquely grouped on
the banks of its great lake. The eminences and natural undulations have
all been made the most of as sites for Palaces and temples, and the
grounds are laid out with all the art the Chinese landscape artist has
at his command.
The buildings of the Palace proper, where Their Majesties and their
suites live, are all massed in one great town-like group at the
southeastern end of the lake. In this group are the Theater, with its
courts, and the Great Audience Hall. Palaces, temples, summer-houses,
tea-booths, dot the whole surface of the great park, and all the
vantage-points have been utilized for constructions.
A beautiful white marble terrace runs the length of the southern side
of the lake. Pavilions at intervals vary the monotony of this line or
give accent to the natural indentations of the banks. Picturesque
landing-places, with their marble steps lapped by the waters of the
lake, also lend their variety to this terrace surmounted by its
beautiful lotus balustrade.
Public-domain text, read in full here on John Shaqi.
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