With the Empress Dowager of ChinaCarl, Katharine A. (Katharine Augusta)
History
With the Empress Dowager of China
Carl, Katharine A. (Katharine Augusta)
China -- Court and courtiers; Cixi, Empress dowager of China, 1835-1908; Empresses -- China -- Biography
For wearing with these she ordered a sable hat, for the Chinese ladies
wear some sort of coiffure on the head, winter and summer. This had an
embroidered crown of pale lavender satin, with long satin streamers
embroidered in gold with good-luck emblems. The brim could be worn
either turned off the face or pulled over the ears and tied under the
chin with lavender strings. She said she had some trouble in finding
a design which she thought would suit me. This hat she had also had
copied from old prints. I learned later she had tried three sorts of
sables before she got a color which she thought would be becoming to my
unfortunate blonde hair! On the front of the brim she placed a Princess
Button. This is worn only by Ladies of the Court, and represents the
Flaming Pearl of the Dynasty. It was established by the founders of the
Dynasty and is the distinguishing jewel of the members of the Imperial
family. It consists of a large pearl, surrounded by three alternating
rows of seed-pearls and corals, which are supposed to represent flames!
This Flaming Pearl, symbol of the “Unattainable,” is the eternal quest
of the double dragon!
Her Majesty also presented me with a number of other charming things
that I shall always treasure as coming from her, and as evidence of her
consideration for “the stranger within her gates,” or as spontaneous
offerings from her naturally generous nature--ever desirous of giving
pleasure. I wish I might have preserved the flowers and curious grasses
which she, herself, gathered and gave me on our many promenades around
the beautiful grounds of the Summer Palace, but which, alas! are
withered and gone!
CHAPTER XXVIII
SOME WINTER DAYS AT THE PALACE
The big, official portrait for St. Louis was advancing. I was able
to accomplish much more now that I had a place where I could work
uninterruptedly, and quietly study the painting when I was not working.
Her Majesty came, with her usual retinue, to pose, but it was not at
fixed times, and was often when I did not expect her. She was looking
more and more anxious these days; but she came to pose whenever it
was necessary, and was very particular as to all the details in the
portrait. She often had the jewels and ornaments changed, and her pearl
mantle was made over, after she saw it in the first sketch, as she did
not like its form.
Public-domain text, read in full here on John Shaqi.
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