With the Empress Dowager of ChinaCarl, Katharine A. (Katharine Augusta)
History
With the Empress Dowager of China
Carl, Katharine A. (Katharine Augusta)
China -- Court and courtiers; Cixi, Empress dowager of China, 1835-1908; Empresses -- China -- Biography
The nineteenth day of April was approaching, and the portrait steadily
advancing. As it neared completion Her Majesty’s interest in it seemed
to grow. She spent a great deal of time in my pavilion watching its
progress, and expressed herself as much delighted with it. A few days
before the nineteenth, I asked Her Majesty to allow Mrs. Conger to come
and see it on that day. She immediately consented, and invitations were
sent through the Foreign Office, not only to Mrs. Conger, but to the
wives of the Ministers and First Secretaries of Legations to come to
the Palace on the nineteenth day of April, for the purpose of “seeing
the portrait of Her Imperial Majesty, the Empress Dowager, painted by
the American artist.”
The ladies of the Legation, of course, responded to the invitation,
and on the morning of the nineteenth the portrait was placed in the
splendid frame. Her Majesty decided she would receive the ladies first
in her Throne-room, after which they were to come to my studio to
see the portrait. As I was still working until the “fateful hour,”
I did not go up to the Throne-room but awaited the ladies in my own
place. Her Majesty did not accompany the ladies when they came to
see the portrait, but she sent the young Empress and Princesses to my
pavilion to assist me in receiving and to lend a proper dignity to the
occasion. The portrait, in a Chinese milieu, and seen in the light in
which it was painted, made a better effect than it could in any other
surroundings. The ladies were, of course, much interested in seeing
this long-talked-of picture--the first ever painted of Her Majesty--and
the novelty of the precedent, as well as the interest of a visit
to the Palace, favorably predisposed them, and they expressed themselves
as most interested in the work, finding it a good likeness. The
admiration it received from the young Empress and the Ladies of the
Court was almost embarrassing, and the eunuchs said it was so lifelike
when they passed the windows that it inspired the same awe Her Majesty’s
own presence did.
After the ladies had duly looked at and commented upon the portrait,
they repaired to one of the halls in connection with my studio, where
a repast had been prepared by the orders of Her Majesty. Here, for the
first and only time, while I was in the Palace, the young Empress sat
down at the table with the foreign ladies, and acted as hostess, and
very gracefully she filled her rôle.
After the visit of the ladies of the Legation, Her Majesty informed
me that the Princes and nobles, whose rank entitled them to enter the
Palace Inclosure, were to come to see it the following day. As it would
not have been “according to the Proprieties” for gentlemen to enter the
quarters reserved for ladies, or the buildings where even a foreign
lady worked, the portrait was, for their visit, carried out into the
open court of my pavilion.
Public-domain text, read in full here on John Shaqi.
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