To place the portrait in its carved pedestal, it was necessary to erect a scaffolding by which the framed picture was raised into the air, and then lowered into its stand. When all was finally arranged, the scaffolding was removed, the debris cleared away, and the Princes and nobles, in full dress, came into the court to see the portrait. Each one approached the picture and closely examined it, even touching the canvas. Unfortunately, I could not hear their comments, as I only saw the ceremony discreetly ensconced behind a curtain, but I could watch their faces and study their expressions, though I must confess that they revealed very little. A young Manchu, who had been attached to a Legation abroad and had learned photography in an amateur way, had been ordered by Her Majesty to make a photograph of the portrait. This was done while the Princes and nobles were still in the court. When it was photographed, and the Princes had retired, the scaffolding was again put up, the picture was raised out of its carved wood pedestal and was replaced in my studio. All this took the greater part of the day. Her Majesty was so pleased with the comments she heard upon the portrait (of course no unfavorable ones were made to her), that she decided to accede to the prayers of several of the high officials, and allow the Sacred Picture to be viewed by a number of other high functionaries. For this purpose, the portrait was removed to the Wai-Wu-Pu (Foreign Office); for many of the highest Officials are not permitted to enter the Palace Inclosure. At the Foreign Office, not only the high Chinese Officials, but the foreign Ministers and their staffs were invited to see it. Many of the foreigners went in full dress uniform for this visit, in deference to Chinese prejudices. After it had been duly viewed by all in Peking of sufficient rank to have that honor, it was inclosed in a satin-lined camphor-wood box, covered with satin of Imperial yellow, and the box was closed with great solemnity. The pedestal was placed in a similar box. Each had splendid bronze handles and huge circular locks. These boxes were inclosed in others, also lined with the Imperial color, and were finally ready for shipment. The packing-cases, containing the framed picture and its carved pedestal, were placed upon a flat freight car, which had been elaborately decorated with red and yellow festoons of silk. The boxes were covered with yellow cloth, painted with the Double Dragon. A special railway had been laid from the Wai-Wu-Pu to the station outside the Chien-Mên, for it was not considered fitting that ordinary bearers transport the picture of Her Majesty.