With the Empress Dowager of ChinaCarl, Katharine A. (Katharine Augusta)
History
With the Empress Dowager of China
Carl, Katharine A. (Katharine Augusta)
China -- Court and courtiers; Cixi, Empress dowager of China, 1835-1908; Empresses -- China -- Biography
My pavilion consisted of two sitting-rooms, a dining-room, and a
charming bedroom, separated from each other by screen-like walls of
beautifully carved open woodwork, with blue silk showing through the
interstices. In the larger spaces were artistic panels of flowers
painted on white silk, alternating with poems and quotations from the
classics, in the picturesque, ideographic writing of the Chinese. On
one of the solid walls was a large water-color painting on white silk,
representing a realistically painted peafowl in a flowery field; an
immense mirror formed the other solid wall. The plate-glass lower
windows had blue silken curtains, the upper windows of white paper were
rolled down, and the rich perfume of the flowers in the court came in.
In my honor, several foreign “objets de virtu” adorned the tables and
window-shelves. The bed, a couch built into an alcove, was covered with
blue satin cushions; and the windows were shaded from the outside by
blue silken awnings, which gave a soft subdued light to the room, that
made it very cool and restful-looking. I found the couch so inviting
I was soon really resting, and the events of the day passed before my
mental vision in kaleidoscopic array. Although the cushions of the
bed were harder than I had been accustomed to, and the dozen or more
eunuchs, who had been set aside for my service, were whispering just
outside my window to be ready for any call, I soon fell asleep from
sheer exhaustion and reaction from the unusual events of the day.
At five o’clock one of the Ladies Yu-Keng knocked at my door to tell
me the Empress Dowager was awake, and had asked that I come up to
the Throne-room as soon as I was ready. When we went up she called
me to her side and said she hoped I had rested well, that I found my
apartments comfortable; she repeated again the wish that I would be
happy with her. She said we would not paint any more for that day,
but on the morrow we would have another and longer sitting for the
portrait. She begged me to let her know if there was anything I cared
for particularly, that she might order it for me.
The Empress Dowager then dined alone, after which the young Empress
and the Princesses led me into the Throne-room, and we dined at Her
Majesty’s table, her seat being left vacant. The young Empress occupied
the place at the left of this vacant seat, and had me on her left.
When we had finished dinner, at which the young Empress and the Ladies
were most considerate of me, seeming to try to make me feel at ease,
we went up to take our leave of the Empress Dowager. After this was
accomplished we left the Throne-room, and made our adieus to the young
Empress and Princesses, and left the Imperial inclosure for the Palace
of the Emperor’s Father, which Her Majesty had set aside for the use of
the Ladies Yu-Keng and myself while I was at work on the portrait.
CHAPTER II
Public-domain text, read in full here on John Shaqi.
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