With the Empress Dowager of ChinaCarl, Katharine A. (Katharine Augusta)
History
With the Empress Dowager of China
Carl, Katharine A. (Katharine Augusta)
China -- Court and courtiers; Cixi, Empress dowager of China, 1835-1908; Empresses -- China -- Biography
When Her Majesty had her official garments removed (she always changed
her dress after the morning Audience), and when the portrait had been
placed upon the easel, she came over to look at it. After studying it
for some time, she concluded that the nail-protectors on both hands
were not artistic, and that she would have the gold ones (set with
pearls and rubies) taken off, and show the uncovered nails on the
right hand. I was delighted at this decision, for the nail-protectors
destroyed the symmetry of the hand and hid the beautiful tips of her
fingers. I had, of course, not presumed to make any suggestions as to
her costume or ornaments. As the nail-shields are characteristic of the
high-class Chinese ladies, it was well to have them on one hand.
After this change had been decided upon, she went over to a great
vase, standing near, and took from it a lotus flower, held it up, in
a charmingly graceful way, and asked me if that would not be pretty
in the portrait, adding that the lotus was one of her attributes. As
the color did not harmonize with the general scheme, I did not care
for this suggestion, but temporized by saying “I was not ready to put
it in then.” After a little more than an hour’s work, with the usual
interruptions, she decided that enough had been done for that morning.
When I suggested that I might work even after Her Majesty was tired,
she said “No,” that if she were tired sitting still, I could not fail
to be more so doing the work and standing as I did. She said there was
no hurry, that I had plenty of time to finish the picture, and must not
run the risk of making myself ill.
After a short sitting in the afternoon Her Majesty ordered the boats,
and we went out to the marble terrace, beneath which lay moored the
Palace fleet, manned by blue-gowned oarsmen. We again took the Imperial
barge, the Empress Dowager in the center, on her yellow chair, the
young Empress and Princesses sitting around, Turkish fashion, on
cushions. The barge, drawn along by the two great boats, glided as
gently as a swan over the still waters of the lake. The air was soft
and balmy. Two of the eunuchs were ordered to sing, and the minor
chords of a curious air mingled their rhythm with the soft swish of
the water. Beyond us lay the hills, the beautiful Western Hills,
unchanging in form, but ever varying in color--sometimes blurred and
gray, or a soft, warm violet; again a clear, deep blue, as if hewn out
of lapis lazuli, and now and then, as a cloud passed over the sun, dark
and threatening almost. I drank in deep breaths of delight!
Public-domain text, read in full here on John Shaqi.
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