With the Empress Dowager of ChinaCarl, Katharine A. (Katharine Augusta)
History
With the Empress Dowager of China
Carl, Katharine A. (Katharine Augusta)
China -- Court and courtiers; Cixi, Empress dowager of China, 1835-1908; Empresses -- China -- Biography
After the ceremony of formal congratulations was over, Her Majesty,
the Emperor, and Empress, followed by the Ladies and attendants, went
in state to the Theater, with the same ceremonial and pomp with which
they had gone into the Hall of Ceremonies. The Empress Dowager, who
was always the most gorgeously attired person at Court, was, on His
Majesty’s Birthday, dressed with an extreme simplicity that amounted
almost to plainness, and she wore no jewels. This plainness of attire
was not an accident, but had been arranged with her usual forethought.
She wished the Emperor and Empress to be the central figures of this
day’s festivities, and did not wish to vie with the Empress even in her
attire.
The Princes and Nobles, who had come to the Palace for the official
congratulations, were invited to the theatrical performance. They
occupied the boxes that ran at right angles to the Imperial loge, which
I have already described as forming the other two sides of the court
of the Theater. A huge screen of painted silk, twelve feet high, was
stretched from the last of the boxes occupied by the Princes to the
stage--allowing the latter to be perfectly seen by the occupants of the
boxes, but cutting off their view of the Imperial loge, whence Their
Majesties, the Empress, and Ladies viewed the play. These invited
guests are thus neither seen by the Imperial party, nor can they see
the latter.
When Their Majesties and the Empress were seated in their loge, the
principal actors came to the front of the stage, knelt, and “kow-towed”
to the Imperial box. Then the play began. There was first a noisy
burst of weird music, then the chief actor recited a laudatory,
congratulatory poem in honor of the Birthday of the Emperor, wishing
His Majesty “ten thousand years” of happiness and all the blessings
possible. The poem was intoned like a chant by the actor, dressed in
the gorgeous historic costume of an Imperial Herald of the time of
Kublai Kahn. This poem was most impressive. One of the verses ran thus:
“The vast merits of His Imperial Majesty’s August Ancestors have
been handed down to Him from generation to generation.
“To the wisdom of His whole Dynasty we owe it, that we have lived
in happiness,
“Ever ready to comply with the lofty teaching of our Rulers, leading
us unto Good....”
The poem went on to recite His Majesty’s merits as a son, his respect
for his August Mother, his filial piety, and ended with a wish that
Great China might flourish and prosper--grow strong outwardly and
inwardly, through the blessings of his reign and his desire for
Progress.
Public-domain text, read in full here on John Shaqi.
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