With the Empress Dowager of ChinaCarl, Katharine A. (Katharine Augusta)
History
With the Empress Dowager of China
Carl, Katharine A. (Katharine Augusta)
China -- Court and courtiers; Cixi, Empress dowager of China, 1835-1908; Empresses -- China -- Biography
A number of boats lay at the foot of the steps--among them a charming
open barge with blue silken awnings. As I had not been in a boat of
this kind before, and as I was told to choose, I selected it for our
row; and we started off, followed by several other boats carrying
eunuchs and refreshments, with the necessary utensils for serving
them. Our head eunuch, one of the six highest in the Palace, who had
been appointed to look after me and the “sacred picture,” was very
intelligent, an enlightened lover of Chinese art, and a great collector
of old Chinese paintings and curios. He had been, in his youth, one
of Her Majesty’s favorite players, was said to have great dramatic
talent, and, when he was younger, had a fine voice for singing. Memory
is among the most esteemed of the intellectual faculties by the Chinese
and reaches a high state of cultivation with them. Many of the eunuchs
can repeat whole pages from the classics, and some are accomplished
literati. This eunuch had a good speaking voice, and recited poems and
told stories in a charming way. As we were rowed along, he stood at the
prow and recited verse after verse of classic lore and told stories
of the heroic times. He intoned them like a recitative--the rhythm
so perfectly observed, the intoning so musical, it was a pleasure to
listen to him, though I could not understand.
I lay back among the cushions, as we glided softly along, past
beautiful pavilions, with splendid trees overhanging the lake and
lovely flowers growing wherever there was a place to plant them. The
tall figure of the splendidly attired eunuch, standing in the prow,
repeating, with rhythmic cadence, poems and stories, gave one the
illusion and charm of the “Arabian Nights,” which I had fed upon in my
childhood, and which I seemed to be living through to-day.
We soon came to a tiny islet in the lake, with a sort of open temple
built over a black marble tablet which bore an incised inscription.
I asked to land and examine it, and San-Gunia, the eldest of Lady
Yu-Keng’s daughters, a remarkably clever girl and well posted in
Chinese literature, translated the characters. The inscription was a
poem, a tribute to the Great Father who had graciously placed there
this island, which “by night was bathed in the glory of the Moon and
Sun-kissed by day, while the crystal waters of the lake formed a
brilliant necklace on its breast.”
Beyond the island I saw a temple. There was no landing-place, and the
temple was under repair. The head eunuch, however, seeing how much I
wished to go up, had the boat draw near and steps brought, up which we
clambered, as best we could.
Public-domain text, read in full here on John Shaqi.
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