With the Empress Dowager of ChinaCarl, Katharine A. (Katharine Augusta)
History
With the Empress Dowager of China
Carl, Katharine A. (Katharine Augusta)
China -- Court and courtiers; Cixi, Empress dowager of China, 1835-1908; Empresses -- China -- Biography
The principal court of this temple is one of the most picturesque in
the Sea Palace, shaded by magnificent cedars and stately elms. In the
center, there was a magnificent cistern of verd-antique, splendidly
carved in dragons. Over this cistern was a marble portico, its columns
supporting a curious concave, copper roof. This roof had been a Palace
“cooking utensil,” that had been used in former times to prepare food
for the poor; hence its extraordinary size. When it was worn out in
this capacity it was used as the interior of the dome over the temple
well, where the poor and weary could come to rest under its shadow
and drink of the water of the well it protected. There were cells and
outhouses for the monks in this temple also. But as we sat in the
shady court, looking across the sunlit lake, the sky became suddenly
overcast, and we took our chairs and hurried down the steep, paved
road that led from the temple to the lake. We did not take the boats
again on reaching the lake, but were carried, in our chairs, across
the beautiful Marble Bridge. Just beyond us, we saw the towers of the
first Catholic Cathedral ever built in Peking. It was built on land
given to the Catholics by the Emperor; but, when finished, its towers
were found to overlook the Palace grounds; so the Cathedral was bought
by the Emperor, and land was given the Mission further on, and another
Cathedral was built. The first Cathedral is now within the Walls of the
Sea Palace, and is visible from every part of the grounds of the two
Peking Palaces. It seems a strange anomaly to see this Christian Church
within the Precincts of the Palace of an Oriental potentate, who is
one of the representatives on earth of the “Great Buddha.”
It began to rain, and the chair-bearers ran along to the Palace without
stopping again, and we were soon called to dinner in the Throne-room,
overlooking the small Theater, for there are two Theaters in the Sea
Palace, one for winter use and one for summer. The latter is built on
piles over the waters of a canal. Building the stage over water is
supposed to give a peculiar musical resonance to the voices of the
actors, softening the sounds and making them more pleasant to the ear.
Public-domain text, read in full here on John Shaqi.
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